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Showing posts with label Animal Farm. Show all posts
Showing posts with label Animal Farm. Show all posts

Animal Farm: Study Materials


General Information

Animal Farm: Chapter I
Animal Farm: Chapter II
Animal Farm: Chapter III
Animal Farm: Chapter IV
Animal Farm: Chapter V
Animal Farm: Chapter VI
Animal Farm: Chapter VII
Animal Farm: Chapter VIII
Animal Farm: Chapter IX
Animal Farm: Chapter X

Animal Farm: Plot Summary


Animal Farm is a satirical fable set on Manor Farm, a typical English farm. Orwell employs a third-person narrator, who reports events without commenting on them directly. The narrator describes things as the animals perceive them.

Old Major calls a meeting of all the animals in the big barn. He announces that he may die soon and relates to them the insights he has gathered in his life. Old Major tells the animals that human beings are the sole reason that “No animal in England is free” and that “The life of an animal is misery and slavery.” Therefore the animals must take charge of their destiny by overthrowing Man in a great Rebellion. He relates his dream of rebellion.

Old Major dies soon after the meeting and the other animals prepare for the Rebellion under Snowball, Napoleon, and Squealer’s leadership. One night, Mr. Jones passes out drunk, creating the perfect opportunity for the animals to rebel. They are so hungry that they break into the store-shed. When Jones and his men try to whip them into submission, the animals run them off the farm. The animals burn all reminders of their former bondage but agree to preserve the farmhouse “as a museum.” Snowball changes the name of the farm to “Animal Farm” and comes up with Seven Commandments, which are to form the basis of Animalism. They are:

1. Whatever goes upon two legs is an enemy.
2. Whatever goes upon four legs, or has wings, is a friend.
3. No animal shall wear clothes.
4. No animal shall sleep in a bed.
5. No animals shall drink alcohol.
6. No animal shall kill any other animal.
7. All animals are equal.

The pigs milk the cows, and then the animals go out to begin the harvest. When they return, the milk has disappeared mysteriously. The first harvest is a great success. The animals adhere to the tenets of Animalism happily, and with good result. Each animal works according to his ability and gets a fair share of food.

Every Sunday, Snowball and Napoleon lead a meeting of all the animals in the big barn. The pigs are the most intelligent animals, so they think up resolutions for the other animals to debate. Soon after, the pigs set up a study-center for themselves in the harness-room. Snowball embarks on various campaigns for social and economic improvement. Napoleon opposes whatever Snowball does. Because most of the animals lack the intelligence to memorize the Seven Commandments, Snowball reduces them to the single maxim, “Four legs good, two legs bad.” The sheep take to chanting this at meetings.

As time goes by, the pigs increase their control over the animals and award themselves increasing privileges. They quell the animals’ questions and protests by threatening Mr. Jones’s return. During this time, Napoleon also confiscates nine newborn puppies and secludes them in a loft in order to “educate” them.

By late summer, Snowball’s and Napoleon’s pigeon-messengers have spread news of the Rebellion across half of England. Animals on other farms have begun lashing out against their human masters and singing the revolutionary song “Beasts of England.” Jones and other farmers try to recapture Animal Farm but fail. The animals celebrate their victory in what they call “The Battle of the Cowshed.”

The animals agree to let the pigs make all the resolutions. Snowball and Napoleon continue to be at odds and eventually clash over the windmill. Snowball wants to build a windmill in order to shorten the work week and provide the farm electricity, but Napoleon opposes it. Napoleon summons nine fierce dogs (the puppies he trained) to run Snowball off the farm. Napoleon announces that Sunday meetings will cease and that the pigs will make all the decisions in the animals’ best interest. At this point, Boxer takes on his own personal maxims, “I will work harder” and “Napoleon is always right.” In the spring, Napoleon announces plans to build the windmill, claiming that it was his idea all along—rewriting history.

Building the windmill forces the animals to work harder and on Sundays. Shortages begin to occur, so Napoleon opens up trade with the human world. Through Squealer, he lies that no resolutions against interaction with humans or the use of money had ever been passed. Napoleon enlists Whymper to be his intermediary, and the pigs move into the farmhouse. Squealer assures the animals that there is no resolution against this, butClover and Muriel discovers that one of the resolutions has been changed to: “No animal shall sleep in a bed with sheets.” Squealer convinces her that there was never a resolution against beds at all.

One night, strong winds shake the farm and the animals awake to discover the windmill destroyed. Napoleon blames Snowball and sentences the expelled pig to death.

In the winter, as conditions become worse on Animal Farm, Napoleon deceives the human world into thinking Animal Farm is prospering. He signs a contract for a quota of four hundred eggs per week, inciting a hen rebellion that results in several deaths. Around the same time, Napoleon begins negotiating with Frederick and Pilkington to sell Animal Farm’s store of timber. He also spreads propaganda against Snowball, claiming that Snowball was always a spy and a collaborator while Napoleon was the true hero of the Battle of the Cowshed, and Squealer warns against Snowball’s secret agents.

Four days later, Napoleon holds an assembly in which he makes several animals confess to treachery and then has the dogs execute them. The dogs try to get Boxer to confess but leave him alone when they cannot overpower him. Afterwards, Clover and some other animals huddle together on a hill overlooking the farm. They reminisce about Animalism’s ideals and consider how much they differ from the violence and terror of Napoleon’s reign. They sing “Beasts of England,” but Squealer informs them that the song is useless now that the Rebellion is completed and that it is now forbidden. The new anthem begins with the lyrics: “Animal Farm, Animal Farm, / Never through me shalt thou come to harm!”

Another commandment is changed to read: “No animal shall kill any other animal without cause.” Clover and Muriel convince themselves that the commandment has always been this way. Squealer begins reading the animals statistics regularly to convince them that production is increasing. Napoleon seldom appears in public. The animals now call him “our Leader, Comrade Napoleon.” They attribute all misfortunes to Snowball and all success and luck to Napoleon.

Napoleon continues to negotiate with the farmers and eventually decides to sell the timber to Mr. Pilkington. At last, the windmill is finished and named “Napoleon Mill.” Soon after, Napoleon announces that he will sell the timber to Frederick, quickly changing his allegiance and disavowing his earlier vilification of Frederick. Napoleon says that Pilkington and Snowball have been collaborating. Frederick pays for the timber in fake cash, and the next morning, Frederick and his men invade the farm and blow up the windmill. The animals manage to chase the humans off, though many die or are injured in what they call “The Battle of the Windmill.”

After the battle, the pigs discover a case of whisky in the farmhouse. They drink to excess and soon, Squealer reports that Napoleon is dying and, as his last action, has made the consumption of alcohol punishable by death. But Napoleon recovers quickly and then sends Whymper to procure manuals on brewing alcohol. Squealer changes another commandment to “No animal shall drink alcohol to excess.”

Napoleon plans to build a schoolhouse for the thirty-one young pigs he has parented. Towards the end of the winter, Napoleon begins increasing propaganda to distract the animals from inequality and hardship. He creates special “Spontaneous Demonstrations” in which the animals march around and celebrate their triumphs.

In April, Napoleon declares the farm a Republic and is elected unanimously as President. The animals continue to work feverishly, most of all Boxer. One day, Boxer collapses while overexerting himself. Napoleon promises to send him to the veterinarian in Willingdon. A few days later, a horse-slaughterer takes Boxer away in his van. The animals are none the wiser until Benjamin reads the lettering on the side of the van. A few days later, Squealer reports that Boxer died in the hospital despite receiving the best possible care. He claims that Boxer’s last words glorified Animal Farm and Napoleon. He also claims that the van belongs to the veterinarian, who recently bought it from the horse slaughterer and had not yet managed to paint over the lettering. Napoleon promises to honor Boxer with a special banquet. But the pigs use the money from his slaughter to buy a case of whisky, which they drink on the day appointed for the banquet.

Years go by, and though Animal Farm’s population has increased, only a few animals that remember the Rebellion remain. Conditions are still harsh despite technological improvements. The pigs and dogs continue to do no manual labor, instead devoting themselves to organizational work. One day, Squealer takes the sheep out to a deserted pasture where, he says, he is teaching them a song. On the day the sheep return, the pigs walk around the yard on their hind legs as the sheep chant, “Four legs good, two legs better.” The other animals are horrified. Clover consults the barn wall again. This time Benjamin reads to her. The Seven Commandments have been replaced with a single maxim: “All animals are equal / But some animals are more equal than others.”

The pigs continue the longstanding pattern of awarding themselves more and more privileges. They buy a telephone and subscribe to magazines. They even wear Jones’s clothing. One night, Napoleon holds a conciliatory banquet for the farmers. Pilkington makes a speech in which he says he wants to emulate Animal Farm’s long work hours and low rations. Napoleon announces that the farm will be called “Manor Farm” again, the animals will call each other “Comrade” no longer, and they no longer will march ceremoniously past Old Major’s skull (a practice he denies understanding). He also declares that the farm’s flag will be plain green, devoid of the symbols of the Rebellion. As the animals peer through the windows to watch the humans and pigs play poker, they cannot distinguish between them.

Animal Farm: Major Themes

The Soviet Union under Stalinism

Animal Farm is a satire of totalitarian governments in their many guises. But Orwell composed the book for a more specific purpose: to serve as a cautionary tale about Stalinism. It was for this reason that he faced such difficulty in getting the book published; by the time Animal Farm was ready to meet its readers, the Allies were cooperating with the Soviet Union. The allegorical characters of the novel represent specific historical figures and different factions of Imperial Russian and Soviet society. These include Karl Marx (Major), Vladimir Lenin (Major), Leon Trotsky (Snowball), Joseph Stalin (Napoleon), Adolf Hitler (Frederick), the Allies (Pilkington), the peasants (Boxer), the elite (Mollie), and the church (Moses).

The resemblance of some of the novel’s events to events in Soviet history is indubitable. For example, Snowball’s and Napoleon’s power struggle is a direct allegory of Trotsky’s and Stalin’s. Frederick’s trade agreement with Napoleon, and his subsequent breaking of the agreement, represents the Nazi-Soviet non-aggression pact that preceded World War II. The following Battle of the Windmill represents World War II itself.

Despite his fairy-tale clarity in satirizing some historical events, Orwell is less specific about others. For example, the executions in Chapter VII conflate the Red Terror with the Great Purge. The executions themselves bear resemblance to both events, although their details connect them more to the Moscow Trials than to the Red Terror. Squealer’s subsequent announcement that the executions have ended the Rebellion connects them to the period of the Red Terror, however. Orwell leaves some ambiguity in the identities of the Rebellion and the Battle of the Cowshed. These ambiguities help the reader focus on the overall satire of Stalinism and the broader warning about the evils of totalitarian government.

The Inevitability of Totalitarianism

Orwell held the pessimistic belief that totalitarianism was inevitable, even in the West. According to Russell Baker, who wrote the preface to Animal Farm’s 1996 Signet Classics version, Orwell’s pessimism stemmed from his having grown up in an age of dictatorship. Witnessing Hitler’s and Stalin’s movements from afar, as well as fighting totalitarianism in the Spanish Civil War, Orwell came to believe in the rise of a new species of autocrat, worse even than the tyrants of old. This cynicism is reflected in both of his highly successful novels, Animal Farm and 1984. Orwell emphasizes the insidiousness of totalitarianism early in the novel, when the pigs take the fresh milk and apples. The pigs justify their actions on the basis of their superiority; they are smart and need more nutrition than the other animals to fuel their brainpower. There is no scientific basis for the pigs’ claim—in fact, if anyone needs more food to fuel their labor, it is the manual laborers—but they can count on the animals’ being too ignorant to realize that. In this way, Orwell makes the point that totalitarianism need not be blatant in order to be operating. It can hide under the guise of the “greater good” as it did in the Soviet Union before the totalitarianism became obvious.

Orwell uses a cyclical structure in Animal Farm, which helps advance the idea of totalitarianism’s predictability. The novel begins with Jones as autocratic tyrant and ends with Napoleon not only in Jones’s position, but in his clothes as well. Over the course of the novel, Napoleon essentially becomes Jones just as Stalin becomes an autocrat after pretending to espouse equality and freedom. Orwell cements this idea in the book’s final scene, where he writes, “Twelve voices were shouting in anger, and they were all alike. No question, now, what had happened to the faces of the pigs. The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which” (139). The circularity of Orwell’s story prevents the reader from imagining a better future for Animal Farm. After all, even if another Rebellion were to take place, its leaders would eventually come to emulate Napoleon.

According to Baker, technology turned out to be the force freeing people from Orwell’s age of dictators. But “technology” can be just another banner under which to rally the people. While Orwell does portray technology as a source of progress in Animal Farm, he points out that it is useless unless it is in the people’s hands. Most notably, even when the windmill is finished it is used for milling corn instead of its original purpose of supplying the animals with electricity in their stalls.

Intelligence and Education as Tools of Oppression

From the very beginning of the novel, we become aware of education’s role in stratifying Animal Farm’s population. Following Major’s death, the pigs are the ones that take on the task of organizing and mobilizing the other animals because they are “generally recognized as being the cleverest of the animals” (35). At first, the pigs are loyal to their fellow animals and to the revolutionary cause. They translate Major’s vision of the future faithfully into the Seven Commandments of Animalism. However, it is not long before the pigs’ intelligence and education turn from tools of enlightenment to implements of oppression. The moment the pigs are faced with something material that they want—the fresh milk—they abandon their morals and use their superior intellect and knowledge to deceive the other animals.

The pigs also limit the other animals’ opportunities to gain intelligence and education early on. They teach themselves to read and write from a children’s book but destroy it before the other animals can have the same chance. Indeed, most of the animals never learn more than a few letters of the alphabet. Once the pigs cement their status as the educated elite, they use their mental advantage to manipulate the other animals. For example, knowing that the other animals cannot read the Seven Commandments, they revise them whenever they like. The pigs also use their literacy to learn trades from manuals, giving them an opportunity for economic specialization and advancement. Content in the role of the intelligentsia, the pigs forgo manual labor in favor of bookkeeping and organizing. This shows that the pigs have not only the advantage of opportunity, but also the opportunity to reject whatever opportunities they like. The pigs’ intelligence and education allow them to bring the other animals into submission through the use of propaganda and revisionism. At the book’s end, we witness Napoleon’s preparations to educate a new generation of pigs and indoctrinate them into the code of oppression.

Propaganda and Duplicity

Working as a propagandist during World War II, Orwell experienced firsthand both the immense power and the dishonesty of propaganda. Many types of governments make use of propaganda, not only totalitarian ones. Consider, for instance, the arguments that led many United States citizens to go along with the idea of invading Iraq after the September 11, 2001, terror attacks. Propaganda serves the positive task of uniting the people, sometimes at the cost of misleading them. Orwell takes a firm stance on the harmfulness of propaganda in Animal Farmwhile acknowledging its value for rallying a mistreated and disillusioned populace.

In Chapter IX, Orwell demonstrates the positive value of propaganda. By this point, the animals are so downtrodden that they are desperate for something in which to believe. (Note the irony, though: it is Napoleon who has robbed them of their belief in the original version of Animalism.) The falsely optimistic statistics, the songs, and especially the Spontaneous Demonstrations give the animals something to live for. This chapter is an exception in terms of portraying propaganda in a positive light. For the majority ofAnimal Farm, Orwell skewers propaganda and exposes its nature as deception.

Squealer represents a totalitarian government’s propaganda machine. Eloquent to a fault, he can make the animals believe almost anything. This fact is especially clear in Squealer’s interactions with Clover and Muriel. Each time Clover suspects that the Seven Commandments have been changed, Squealer manages to convince her that she is wrong. After the executions, Napoleon abolishes the singing of “Beasts of England” in favor of a new anthem, the lyrics of which contain a promise never to harm Animal Farm. In this propagandist maneuver, Napoleon replaces the revolutionary spirit of “Beasts of England” with the exact opposite, a promise not to rebel. In addition to being a source of manipulation, propaganda is an agent of fear and terror. Orwell demonstrates this quite clearly with Napoleon’s vilification of Snowball and his assurances that Snowball could attack the animals at any minute. He uses similar fear tactics regarding Frederick and Pilkington. The most egregious example of propaganda in the novel is the maxim that replaces the Seven Commandments: “All animals are equal / But some animals are more equal than others.” The idea of “more equal” is mathematically improbable and a nonsensical manipulation of language, but by this time, the animals are too brainwashed to notice.

Violence and Terror as Means of Control

In Animal Farm, Orwell criticizes the ways that dictators use violence and terror to frighten their populaces into submission. Violence is one of the yokes from which the animals wish to free themselves when they prepare for the Rebellion. Not only does Jones overwork the animals and steal the products of their labor, but he can whip or slaughter them at his discretion. Once the pigs gain control of the animals, they, like Jones, discover how useful violence and terror can be. They use this knowledge to their full advantage. The foremost example of violence and terror in the novel is the pattern of public executions. The executions can be said to represent both the Red Terror and the Great Purge, but they stand more broadly for the abuse of power. For example, they are also similar to the Taliban’s public executions in Kabul’s soccer stadium in modern Afghanistan.

Capital punishment for criminals is a hotly debated issue. Killing suspected criminals, as Napoleon does, is quite another issue. The executions perhaps best symbolize the Moscow Trials, which were show trials that Stalin arranged to instill fear in the Soviet people. To witnesses at the time, the accused traitors’ confessions seemed to be given freely. In fact, they were coerced. Napoleon likely coerces confessions from many of the animals that he executes. Orwell’s use of the allegory genre serves him well in the execution scene. Execution with weapons is a violent and horrifying act, but many people have become desensitized to it. Orwell’s allegorical executioners, the dogs that kill cruelly, portray the bloody and inescapably animalistic side of execution.

Terror comes also in threats and propaganda. Each time the animals dare to question an aspect of Napoleon’s regime, Squealer threatens them with Jones’s return. This is doubly threatening to the animals because it would mean another battle that, if lost, would result in a return to their former lifestyle of submission. Jones’s return is such a serious threat that it quashes the animals’ curiosity without fail. The other major example of fear tactics in the novel is the threat of Snowball and his collaborators. Napoleon is able to vilify Snowball in the latter’s absence and to make the animals believe that his return, like Jones’s, is imminent. Snowball is a worse threat than Jones, because Jones is at least safely out of Animal Farm. Snowball is “proved” to be not only lurking along Animal Farm’s borders but infiltrating the farm. Napoleon’s public investigation of Snowball’s whereabouts cements the animals’ fear of Snowball’s influence. In modern language, Snowball is pegged as the terrorist responsible for the infringements on the rights and liberties instigated by the pigs.

Exploitation and the Need for Human Rights

Exploitation is the issue around which the animals unite. Initially, the animals do not realize Jones is exploiting them. For this reason, Old Major’s speech is a revelation of momentous proportions. Major explains to the animals that they are enslaved and exploited and that Man is to blame. He teaches them not only what exploitation means, but also the fact that it is not inevitable. Orwell suggests that exploitation is, in fact, bound to happen when one class of society has an advantage over another. The opposite of exploitation, according to Major, is the state of being “rich and free.” Major’s ideas about animal rights symbolize the importance—and scarcity—of human rights in an oppressive regime. Gaining freedom does not necessarily lead people also to become rich, but it is better to be poor and free than poor and exploited.

All the animals on Animal Farm are exploited under Napoleon’s control, save the pigs. Even the dogs, which work closely with the pigs, are exploited. The dogs face perhaps even a worse form of exploitation than the other animals, because they are made into agents of intimidation and death. Whereas Napoleon exploits the other animals’ physical strength and their ignorance, he exploits the dogs’ viciousness and turns them into villains against their parents’ wishes.

Boxer’s life is a particularly sad example of exploitation because he exploits himself, believing wholeheartedly in Napoleon’s goodness. In the end, Napoleon turns the tables and exploits Boxer, having him slaughtered for profit. By the end of the novel, we see clearly how the animals participate in their own exploitation. They are beginning to build a schoolhouse for the thirty-one young pigs Napoleon has fathered (perhaps an oblique reference to the “Thirty Tyrants” of ancient Greece). That schoolhouse will never benefit the animals that build it; rather, it will be used to educate the pigs and indoctrinate them into the cycle of exploiting others. Throughout the novel, Orwell shows us how the lack of human rights results in total helplessness. However, though it underscores the need for human rights, the novel does not suggest how to achieve them. After all, once the animals expel Jones and gain rights for themselves, the pigs take those rights away and the cycle of exploitation continues with new players.

Apathy and Acceptance

In the beginning of Animal Farm, the idea of freedom rouses the animals as if from a long slumber. Immediately following Major’s death, the animals begin preparing themselves for the Rebellion; just the idea of revolution is enough to motivate them, since they do not expect it to happen in their lifetimes. By the book’s end, the animals have become as apathetic as Benjamin always was. Despite the many hardships and injustices they face, the animals’ pride as well as Napoleon’s propaganda keep them invested in the “greater good” and the illusion of freedom. If Benjamin is the harbinger of apathy, Boxer is its antithesis. Strong not only in body but also in spirit, Boxer will make any sacrifice for the benefit of Animal Farm. With Boxer’s eventual betrayal by the leaders he served so unconditionally, Orwell lays bare another type of apathy—theirs. Far from truly considering Boxer a loyal comrade, the pigs treat him as apathetically as they would a mere object. Symbolically, they even make a profit by having him turned into literal objects—glue and bone meal.

Boxer’s enthusiasm does not give him an advantage, but the other animals’ eventual apathy gives them a defense mechanism against the painful reality of their lives. It is no coincidence that Animal Farm’s most apathetic and cynical animal, Benjamin, is one of those that survives the longest. Benjamin’s emotional detachment from situations, whether they are good or bad, keeps him from being disappointed. In his apathy and cynicism, Benjamin represents the stereotypical “gloomy” Russian and also the perennially pessimistic Orwell himself.

Animal Farm: Chapter X - Summary

After a few years, the only animals that even remember the Rebellion are Clover,Benjamin, Moses, and some of the pigs. Muriel, Bluebell, Jessie, and Pincher have died. Mr. Jones has died in a home for alcoholics. Still, no animal has retired, and no pasture has been put aside for retired animals. Napoleon and Squealer have both become very fat. The farm is bigger, thanks to land purchased from Mr. Pilkington, and now features a threshing machine and hay elevator. The windmill is finished, but the animals use it to mill corn for a profit instead of to generate electricity as planned. Napoleon puts the animals to work building an additional windmill, which he promises will supply electricity. However, he discourages the animals from dreaming of luxury, saying, “The truest happiness … [lies] in working hard and living frugally” (129).

The pigs and dogs continue to do no manual labor, instead devoting themselves to organizational work that the other animals are “too ignorant to understand” (130). This includes writing up notes and burning them promptly after. Propaganda and pride in living on the only animal-owned farm in England continue to distract the animals from their hardships. One day, Squealer takes all the sheep out to an overgrown patch of land on the far side of the farm. Over the next week, he claims to be teaching them a song, and no one sees them. On the day the sheep return, Clover alerts the other animals to a disturbing fact: Squealer and the other pigs are walking two-footed, on their hind legs. The sheep break into a chorus of, “Four legs good, two legs better!” Benjamin accompanies Clover to the barn wall, where he deigns to read to her for the first time. In place of the Seven Commandments there is now a single maxim: “All animals are equal / But some animals are more equal than others” (133).

The animals discover that the pigs are buying a telephone and have subscribed to several magazines. Napoleon takes to smoking Mr. Jones’s pipe, and the other pigs take to wearing Mrs. Jones’s clothes. Napoleon begins wearing Mr. Jones’s dress clothes and awards “his favorite sow” the privilege of wearing Mrs. Jones’s Sunday dress. One day, Napoleon invites human visitors to tour the farm. That night, the animals spy into the farmhouse and see the pigs dining with the humans. According to Mr. Pilkington’s toast, they are celebrating the end of their bad relations. Touring Animal Farm has impressed him and the other farmers to follow Animal Farm’s example and give their animals more work and less food. Napoleon says he wants to cooperate with the other farms and confirms that he and the pigs co-own the farm’s title-deeds. He states that the animals will no longer be calling each other “Comrade” or marching past Old Major’s skull (a practice he denies understanding anyway). In addition, the flag has been changed to a plain green without the symbols of the Rebellion. Even further, Animal Farm shall again be referred to as “The Manor Farm.” The pigs and humans begin to play poker, and a fight erupts when Napoleon and Pilkington both put down the Ace of Spades at the same time. As the animals witness the pigs and humans quarreling over their poker game, they cannot distinguish between them.

Animal Farm: Chapter X - Analysis

Orwell fast-forwards to a time when Animal Farm has undergone a great deal of turnover. Only a few animals that remember the Rebellion remain, and their memories of it are faint. Napoleon has rewritten the animals’ history to the extent that they feel they no longer have one. He has also manipulated language to the extent that it is meaningless. We see this reflected in the maxim, “All animals are equal / But some animals are more equal than others.” The concept of “more equal” is mathematically impossible, but the animals are too disillusioned and brainwashed to notice. In all the years since the Rebellion, not a single animal has gotten the rewards that he was promised or that was experienced so briefly in the days immediately following the Rebellion. In history, Chapter X corresponds to a time somewhere in the distant future, beyond the realm of Orwell’s own experience. It is, therefore, the manifestation of his pessimistic conjectures about the future of totalitarianism. In this chapter, Orwell slowly and firmly crushes our hopes along with the animals’. In the end, the pigs have all the tangible fruits of Animal Farm’s labor while the animals are left with only empty promises. The windmill, the cause for which countless animals labored and died, has been diverted from its original purpose of supplying electricity. Not even Clover and Benjamin, who are by this time very old, have been allowed to retire. While wearing clothing, smoking pipes, and eating sugar, Napoleon still has the nerve to tell the animals, “The truest happiness … [lies] in working hard and living frugally” (129). It is a harrowing, dystopic future.

In the pessimistic vein for which he became known, Orwell imagines a future in which not only the Soviet Union, but also the Allies, become totalitarian. We see this reflected in Pilkington’s speech at the banquet. He not only agrees to collaborate with Napoleon, but vows to emulate Napoleon’s harsh standards of labor and living on his own farm. In his own toast, Napoleon seals the door on Animal Farm’s history and breaks the last ties with its original tenets. He changes the farm’s name back to “Manor Farm,” as though the trials, triumphs, and abuses of the past many years never happened. It is clear that he intends to erase the memory of Animal Farm from history. Stalin and Hitler were both known to do this in educating the youth in their countries. Most likely, the textbooks in Napoleon’s schoolhouse will severely skew the truth about Animal Farm, if they mention the name “Animal Farm” at all. Napoleon breaks the final tie with Major when he denies knowing why the animals march past his skull in ceremonious fashion. He is erasing knowledge not just of the ideas that Major stood for, but also all the things he himself authored.

The poker game is multiply symbolic. First, it represents the carelessness with which totalitarian leaders treat their people. The animals are like cards in the gambler’s hands, subject to whim and chance. When Napoleon and Pilkington fight over the Ace of Spades (which proves that at least one of them had a card up his sleeve), they foreshadow the international disagreements and struggles that are sure to follow the temporary postwar peace. In this symbolic meaning, Orwell foreshadows the Cold War even though it did not begin in earnest until after the book was published. Pigs and humans are equals at the table, more or less, and rivals once the game is over.

Orwell demonstrates the fact that oppression is cyclical and the oppressed becomes the oppressor when given the chance. By the novel’s end, the pigs are indistinguishable from the humans not only in behavior but also in appearance. Their transformation is complete when they adopt two-legged walking. They treat the animals in the autocratic manner of Jones. In this sense, the story has come full circle.

The future Orwell creates for Animal Farm does not correspond neatly with Imperial Russia. Before the Rebellion, the animals lived under Jones’s total control but had the advantage, the bliss, of ignorance. Now they are living under Napoleon’s total control, having been enlightened to the possibility of freedom and, it seems, still under the impression that they are free but no longer understanding what true freedom would be. This is consistent with Orwell’s belief that 20th-century autocrats such as Hitler and Stalin were of a new and more dangerous kind than the dictators of the past.

Animal Farm is a warning about autocrats who take over socialist ideals for their own aggrandizement. Is there any chance for socialism if human nature is such that the lust for greed and power brings forth leaders who take control and betray its ideals, over against passive and uneducated populations? The capitalist, democratic alternative is to channel that lust into productive work and to limit the power of government to control the freedoms of the people. This alternative creates or aggravates inequalities—one might say that there will always be pigs, dogs, horses, cats, and the rest—but is far preferable to totalitarian control. The challenge for Orwell or for anyone who promotes socialist ideals is to find a practical way to circumvent the abuses that the pigs of Animal Farm so easily commit. But since the novel is a reflection of the challenges of the 1940s rather than a political treatise, Orwell has done quite enough in demonstrating, clearly and horrifyingly, the nature and scope of the challenges to be faced.

Animal Farm: Chapter IX - Summary


Boxer’s split hoof, an injury from the battle, taxes him; still he will not let it deter him from rebuilding the windmill before he reaches retirement age. When they first formedAnimal Farm, the animals had agreed on fixed retirement ages and pensions. The winter is bitter again. Rations, save the pigs’ and dogs’, are reduced--“readjusted,” as Squealersays. To appease the animals, Squealer reads the animals more statistics to make them believe that their lives are better than in the days of Mr. Jones’s rule. The animals are overworked, underfed, and cold, but they are happy to believe Squealer.

Thirty-one young pigs now live on the farm, all of them parented by Napoleon. He makes plans to build them a schoolhouse and discourages them from interacting with other types of animals. He also instates two rules of pig superiority: other animals must stand aside on the path to let pigs pass, and pigs are allowed to wear green ribbons on their tails on Sundays. Napoleon also awards himself the privilege of eating sugar. Still, times are hard on the farm, and the animals struggle to make ends meet. The chickens are forced to lay six hundred eggs per week to sell in town and can barely keep any for hatching. Rations are reduced again, and the animals are not allowed lanterns in their stalls anymore in order to save oil. Meanwhile, the pigs seem to be flourishing.

Towards the end of winter, the animals smell a new scent in the wind, which they discover is from the barley Napoleon has begun to cook. Soon after, the pigs announce that all barley is reserved for them. Each pig gets a pint of beer added to his rations, with Napoleon getting half a gallon. To distract the animals from their hardship, Napoleon increases the amount of propaganda on the farm. This includes songs, speeches, poems, statistics, marches, and his newly created Spontaneous Demonstrations, in which the animals celebrate their victories. The animals enjoy the Spontaneous Demonstrations, which remind them of their freedom and self-sufficiency.

In April, Napoleon declares Animal Farm a Republic, and the animals elect Napoleon unanimously as president. His new propaganda claims Snowball was not a covert human collaborator, but an open one who charged into battle on the human side yelling, “Long Live Humanity!” (119). In mid-summer, Moses returns from a long absence. His stories of Sugarcandy Mountain return with him. The other animals enjoy the stories, with the exception of the pigs. Boxer and the other animals work feverishly to complete their tasks, which now include building the schoolhouse for the young pigs. One day, Boxer overworks himself so much that he collapses, unable to get up. In his sickly state, he expresses a wish to retire early along with Benjamin. The animals fetch Squealer, who relays Napoleon’s decision to send Boxer to the veterinary hospital in Willingdon.

Over the next two days, Boxer lies in his stall and takes doses from “a large bottle of pink medicine” that the pigs send from the farmhouse. He expresses his wish to spend his final years learning the rest of the alphabet. One afternoon, a van comes to take Boxer away. It has “lettering on its side and a sly-looking man in a low-crowned bowler hat sitting on the driver’s seat.” The hopeful animals wish Boxer goodbye, but Benjamin breaks their revelry by reading the lettering on the side of the van: “Alfred Simmons, Horse Slaughterer and Glue Boiler, Willingdon. Dealer in Hides and Bone-Meal. Kennels Supplied” (123). The animals panic and try to get Boxer to escape. He tries to get out of the van, but he has grown too weak to break the door. The animals try to appeal to the horses drawing the van, but they do not understand the situation.

Boxer never returns, but three days later the pigs announce that he died in the hospital despite receiving the best care. Squealer claims to have been present at Boxer’s death, a tale he relates emotionally to the other animals. He claims that Boxer’s last words were, “Forward, Comrades! … Forward in the name of the Rebellion” and “Long live Animal Farm! Long live Comrade Napoleon! Napoleon is always right” (125). Squealer also claims that the van belongs to the veterinarian, who had recently bought it from the horse slaughterer and had not yet managed to paint over the lettering. These stories satisfy the animals. The next Sunday, Napoleon promises to honor Boxer with a special wreath and a memorial banquet. On the day the banquet is to be held, a large crate arrives at Animal Farm. That night, the pigs are rowdy inside the farmhouse and do not wake up until noon the next day. The animals hear a rumor that the pigs had bought a case of whisky.

Animal Farm: Chapter IX - Analysis


World War II devastated not only the Soviet Union’s populace but also its economy. Agriculture and factory production, which the people had worked so tirelessly to fortify in previous decades, were left in shambles. In Animal Farm, the windmill represents the Soviet people’s economic progress. Frederick and his men ruin the windmill in one fell swoop just as the Nazis destroyed the Soviet Union’s hard-earned progress. In the Five Year Plans after World War II, Stalin had no choice but to focus on recouping the Soviet Union’s losses. In the same vein, Napoleon rededicates the animals to the windmill’s construction. Boxer’s attitude after the war represents the toll that the war took on the Soviet people’s morale. Still, they managed to rally just as Boxer does, despite even harsher shortages than ever. Despite harsh conditions for the rest of the animals, the pigs are flourishing. 

Napoleon has managed to parent thirty-one new pigs, which he plans to make disciples of his theories by building a schoolhouse. (This may be a reference to the Thirty Tyrants of ancient Greece, only a little worse.) As usual, Napoleon makes the animals complicit in their own oppression, this time by forcing them to build the schoolhouse on top of their reconstructive and regular workload. Napoleon’s abuses become even more blatant and more reminiscent of Jones’s behavior when he awards pigs the right of way on the path. The other animals must stand aside in deference to the pigs, which is the sort of behavior a peasant under the feudal system would have to display in his master’s presence. The pigs even assume Mollie’s two favorite habits: eating sugar and wearing ribbons in their tails. If we recall that Mollie represents the imperial elite, we can see how far Animal Farm has regressed.

By making Napoleon’s abuses so blatant, Orwell exposes the fact that stratification is inevitable in the hands of corrupt leaders and that power and greed are cyclical. The pigs begin the book by carrying out Old Major’s ideals of a working-class rebellion just as the Bolsheviks overthrew the czar with Marxism-Leninism in mind. Then, just as Stalin and the Soviet elite came to resemble the imperialists they so despised, Napoleon and the pigs take on human characteristics. This—emulating humans—is the very thing against which Major warned the animals in his meeting. Readers are progressively horrified by the new outrages and betrayals committed by the pigs.

Orwell focuses on propaganda again in Chapter IX. This time he focuses less on the manipulative nature of propaganda and more on its grandeur. Napoleon’s Spontaneous Demonstrations are especially pompous and gay, with a cockerel marching in front of the procession. The Spontaneous Demonstrations also involve the animals directly in the propaganda machine. More than singing songs or chanting maxims, they are now marching around the farm to celebrate Animal Farm’s glory. The gun, originally intended to solemnly mark the anniversaries of battles, is now used liberally to stir the animals’ loyalties. (See the Related Links for a clip from a Soviet propaganda film, keeping the Spontaneous Demonstrations in mind.) Further proving their submission, the animals find the increase in propaganda uplifting: “But if there were hardships to be borne, they were partly offset by the fact that life nowadays had a greater dignity than it had had before. There were more songs, more speeches, more processions … They found it comforting to be reminded that all the work they did was for their own benefit. … They were able to forget that their bellies were empty, at least part of the time” (117-118). Orwell comes close to sympathy for the animals in this passage, where he seems to suggest that in addition to the animals’ gullibility, they have a desperate need to be uplifted, even by means as false and ridiculous as the Spontaneous Demonstrations. Moses’ return also supplies them with much-needed inspiration, although the pigs are wary of his competing influence.

Orwell breaks such reverie with the story of Boxer’s illness and murder. By this point, Orwell has repeated the pigs’ abuses so many times that the reader may be as desperate as the animals for some relief. But Orwell wastes no time in reminding us that propaganda is just the totalitarian government’s machine of deception. Napoleon feels no affinity for Boxer, despite that animal’s years of tireless work on Animal Farm’s behalf. This is because Napoleon feels entitled to the animals’ hard work just as Stalin was more concerned with his own goals than with his people’s well being. Napoleon sends Boxer off to the slaughter for profit without seeming to have any second thoughts except for finding a way to explain the betrayal to the other animals. Adding insult to injury, he uses Boxer’s murder as an opportunity for more propaganda, having Squealer relate to the animals Boxer’s supposed patriotic last words. Then he and the pigs celebrate their latest feat of deception and violence by drinking the case of whisky. While the pigs are becoming more like humans, they are becoming the kind of humans whom others would call animals for their cruelty and irrationality.

Animal Farm: Chapter VIII - Summary

Once the terror abates, some of the animals recall the Sixth Commandment, “No animal shall kill any other animal.” Clover again asks Muriel to read to her from the wall, only to find that the Sixth Commandment has been changed to: “No animal shall kill any other animal without cause” (98). Clover and Muriel convince themselves that the commandment has always been that way and decide that treachery justifies murder after all. The animals work even harder than in the previous year. On Sundays Squealerassures them, by reading statistics from a sheet of paper, that their efforts are increasing production many times over. The animals can do nothing but believe Squealer. They can scarcely remember life before the Rebellion.

Napoleon restricts his public appearances further to about once a month. He is said to eat separately from the other pigs, using the fine china. He also decrees that the gun be fired every year on his birthday. The animals now call Napoleon “our Leader, Comrade Napoleon.” Just as the animals attribute all misfortunes toSnowball, they now attribute all success and luck to Napoleon. Minimus composes a poem called “Comrade Napoleon,” which Napoleon has inscribed on the wall across from the Seven Commandments, where Squealer also paints his portrait.

Napoleon continues to negotiate with Mr.Frederick and Mr. Pilkington, though the timber remains unsold. Rumors of Mr. Frederick’s plans to overthrow the farm continue. In the summer, three hens confess to plotting against Napoleon’s life and are executed instantly. After that, Napoleon increases his security even more and enlists a pig namedPinkeye to be his taster, lest someone attempt to poison him. Napoleon finally agrees to sell the timber to Pilkington, as well as to engage in regular trade with Foxwood. Meanwhile, rumors about Frederick’s coming invasion, as well as his cruel practices at Pinchfield, begin to circulate. One day, Napoleon announces that he never planned to do business with Frederick at all. He makes the messenger pigeons change their slogan from “Death to Humanity” to “Death to Frederick” (103). He also, strangely, forbids them from going to Foxwood.

The wheat fields turn out to be filled with weeds, a misfortune that the animals blame promptly on Snowball. A gander confesses to knowing about the plot to mix weed seeds with the wheat seeds and commits suicide. To bring further ignominy upon Snowball’s memory, Squealer disseminates a rumor that Snowball never received the title of “Animal Hero, First Class” at all. As usual, he is able to quell any questions that arise from his rewriting of history.

At last the windmill is finished, with walls twice as thick as before. The animals are very proud of their achievement. Napoleon names the windmill “Napoleon Mill.” Two days later, Napoleon calls a meeting to announce that he has sold the timber to Frederick, not Pilkington. He denounces Foxwood and makes the pigeons change their slogan to “Death to Pilkington.” Napoleon claims that Frederick had never planned to invade Animal Farm and that he was not as cruel as rumored. Moreover, Snowball has never been at Foxwood or been Frederick’s collaborator; in reality, he has been Pilkington’s longtime collaborator. The pigs are proud of Napoleon’s shrewdness. They believe Napoleon’s claim that his relationship with Pilkington was just a pretense to get Frederick to raise his bid. Even cleverer, Napoleon refused to let Frederick pay for the timber with a check, instead demanding cash that he will use to buy the windmill machinery. Napoleon goes so far as to hold a special meeting where the animals can inspect the banknotes.

Three days later, Whymper informs Napoleon that the banknotes are forgeries. Napoleon sentences Frederick to death by boiling alive and tries to reconcile with Pilkington. The next morning, Frederick and his armed men overtake the farm. Napoleon considers calling Pilkington for help, but Pilkington sends a note that says, “Serves you right.” As the animals watch helplessly, Frederick and his men blow up the windmill. After that, the animals put up a fight and manage to chase the men off. Squealer, who was not in the battle, has the gun fired as a sign of victory. For the first time, Boxer’s faith in the value of hard work begins to flag. However, Napoleon devotes two days to celebrating the victory at the newly named Battle of the Windmill and burying the slain. He also gives himself the title, “Order of the Green Banner.”

A few days later, the pigs discover a store of whisky, which they begin consuming. The morning after, the pigs do not show up for work. Squealer finally emerges to inform the animals that Napoleon is dying, a fact that the animals blame on Snowball. He announces Napoleon’s final declaration: drinking alcohol should be punishable by death. However, Napoleon recovers and, soon after, asks Whymper to procure information on how to brew alcohol. He also designates a field for the propagation of barley. Soon after, a strange episode occurs. One midnight, a crash in the barn awakens the animals. They rush there only to discover Squealer with a broken ladder and a can of paint.Benjamin seems to understand what is happening but declines to share his insight with the others. However, a few days later, Muriel notices that the Fifth Commandment has been changed from “No animal shall drink alcohol” to “No animal shall drink alcohol to excess” (113).

Animal Farm: Chapter VIII - Analysis


Napoleon’s revisionism continues with the alterations of the commandments. Worst of all is the reversal from “No animal shall kill any other animal” to “No animal shall kill any other animal without cause.” This particular revision may strike a particularly deep chord with readers on the parallel between the original Commandment and the Biblical commandment “Thou shalt not kill.” On that note, we should notice that by this point,Moses is absent from Animal Farm along with the morality he represents and his vision of Sugarcandy Mountain, which could help the animals through their terror. Napoleon adds to his array of propaganda the reading of optimistic statistics. Stalin’s Five Year Plans were successful, especially considering how much catching up Russia had to do, but they did not meet up to his exceptionally high projections. Maintaining appearances was deemed vital to the regime’s international reputation.

At this point, Napoleon can trust that his terrorist tactics have made the animals submissive. They cannot believe in their own safety, so they embrace any good news they can get, and good news arrives to them almost exclusively in the form of propaganda. They have lost the ability to judge their success or their quality of life because they cannot remember what life was like before or just after the Rebellion. The animals have also become immune to the type of outrage that their leaders’ deceit might arouse in someone with a democratic education and mindset. Even when they catch Squealer in the act of revising the Seven Commandments, they are too subdued to protest. The animals have taken on Benjamin’s quality of apathy, not because they are naturally apathetic like him, but because Napoleon has molded and terrorized them to be that way. In the same way, the Soviet populace adjusted to Stalin’s tactics of fear and manipulation. Powerless to change anything, they grew to accept it. In psychology this might be called a denial, a defense mechanism, or a coping mechanism. Again, the nobles, who tended to have better educations than the working class, had fled.

As the animals are forced to live an increasingly restricted lifestyle, Napoleon and the pigs are continually awarding themselves privileges and taking an unfair share of the rations. Historically, this corresponds to Stalin’s privileging of the Communist elite. While the typical Soviet citizen worked hard and gained little, the typical member of the Communist elite had access to everything from fancy consumer goods to summer houses in the country. During the 1930s, it became increasingly difficult for people to join the ranks of the Communist elite. Orwell reflects this in Animal Farm, where there is absolutely no social mobility. Pigs alone have access to privileges such as sleeping in beds and drinking alcohol. We should recall that the seeds of this extreme class stratification, contrary to the tenets of Animalism and to Marxism-Leninism, began very early on when the pigs appropriated the milk supply. Orwell introduces the pigs’ privileges early and increases them gradually to show how insidious and therefore successful Stalin’s policies could be. People can be subjugated severely when the subjugation is enacted by degrees.

The events of Chapter VIII cover the historical events of: Hiter’s ascension to power in Germany, the Nazi-Soviet non-aggression pact, and Germany’s invasion of the Soviet Union. Napoleon continues to be suspicious of Frederick just as Stalin kept one eye open as Hitler ascended to power in Germany. The stories of animal torture on Frederick’s farm are meant to symbolize the reports of atrocities coming out of Nazi Germany. The rumors are not substantiated in Animal Farm, presumably because the truth about the scale and severity of Hitler’s atrocities did not emerge fully until after World War II. Napoleon’s tightening leash on Animal Farm’s consciousness is reflected in his interactions with the messenger pigeons. The pigeons, which were formerly his mouthpieces, are now forbidden from flying over the neighboring farms. Presumably, Napoleon does not want them to undermine his ever-changing opinions about Frederick and Pilkington.

In 1939, the Soviet Union and Nazi Germany signed a non-aggression pact that promised neutrality and cooperation between the two nations. In Animal Farm, Napoleon’s trade agreement with Frederick symbolizes this pact. Napoleon does not trust Frederick completely, as shown in his unwillingness to accept a check. In the same way Stalin was wary of Hitler and his goals, perhaps seeing some of his own ruthlessness and ambition in Hitler’s eyes. Napoleon’s distrust of Frederick soon turns out to be true, just as Stalin was right not to trust Hitler completely. Hitler’s forces invaded the Soviet Union in 1941, an event that Orwell mirrors in Frederick’s attack on Animal Farm. He summarizes the incredible damage that the Nazis did before their defeat in the destruction of the windmill.

Pilkington’s neutrality during the conflict and his not-so-neutral message, “Serves you right,” satirize the Allies’ initial hesitance to respond during World War II. World War II devastated the Soviet population, which lost over twenty million people. Orwell reflects the magnitude of the Soviet Union’s loss in Boxer’s flagging enthusiasm. Even he, the bastion of positive thinking, finds it difficult to recoup after the Battle of the Windmill. With Animal Farm so isolationist and duplicitous toward the human world (compare modern-day North Korea), it is no wonder that it faces withering shortages, demoralization, and tyranny within and hostility everywhere without.

Animal Farm; Chapter VII - Analysis

In Chapter VII, Orwell focuses again on the gap between the tirelessness of the animals’ efforts and the benefits they receive. We discussed earlier that, because Stalin focused more on heavy industry than on consumer products, the Soviet people faced shortages of the things they needed the most. Because of chronic shortages in the Soviet Union, there arose the cliché of standing in line for most anything one wanted, including food and toilet paper. When one wanted to purchase a bigger item, such as a car, one was put on the end of a seemingly interminable list. On a side note, Stalin’s focus on heavy industry corresponded with his name—meaning steel—which he chose for himself (Stalin was born with the much more ethnically-specific surname Dzhugashivili).

Napoleon begins to shelter himself from public scrutiny and makes Squealer and the dogs do his dirty work. This corresponds with Stalin’s habit of being a figure in the shadows. Stalin gave orders from the comfort of his office, while the propagandists and secret police meted out his demands and punishments. The negotiations over the timber represent Stalin’s export of the products of heavy industry. Napoleon’s waffling between Pilkington and Frederick also mirrors Stalin’s caution in dealing with foreign nations.

Meanwhile, in order to distract the animals from their hardships and frustrations, Napoleon increases the amount of propaganda on Animal Farm. Squealer, his agent as usual, cultivates the idea that Snowball is lurking on the perimeter of Animal Farm and plotting mischief against the animals. Napoleon also makes a personal and very public show of claiming to smell Snowball’s scent all around the farm. By giving the impression that Snowball is everywhere, Napoleon at ones makes Snowball, a concrete entity, into a nebulous threat and creates an atmosphere of almost palpable fear: “The animals were thoroughly frightened. It seemed to them as though Snowball were some kind of invisible influence, pervading the air about them and menacing them with all kinds of dangers” (89). By personally investigating Snowball’s whereabouts, Napoleon keeps himself tied to the greater good in the public’s eyes. At once, they feel frightened and also cared for, but they attribute the former feeling to Snowball and the latter to Napoleon.

Soon enough, Napoleon turns Snowball from an outside threat into a pervasive internal threat. Boxer unwittingly gives Squealer the idea when he protests Squealer’s revision of Snowball’s heroism. Only after Boxer challenges him does Squealer first warn the animals that Snowball’s secret agents have infiltrated their ranks. Here, Orwell satirizes Stalin’s intensification of fear tactics. In Stalin’s Soviet Union, people of every gender, age, and profession were suspected of treachery. Many were forced to confess to things they did not do, all in the name of keeping the public subdued by fear. At this point, we should recall that the Red Terror, the first organized attempt to stamp out anti-Communist sentiment in the Soviet Union, was Lenin’s prerogative. Therefore it predated Trotsky and Stalin’s debates as well as Trotsky’s expulsion. It stands to reason that Orwell skips over the Red Terror in order to assign all terrorist tactics to Napoleon (as opposed to including Snowball). Orwell’s experiences in the Spanish Civil War, in which he fought on the side of Trotskyists, may have informed this omission as well.

In any case, Napoleon’s execution assembly represents the Moscow Trials and the Great Purge, Stalin’s widespread campaign to suppress any and all dissent in the Soviet Union. Indeed, this was a far cry from the cooperation and good cheer with which the Animalism revolution began. In the Soviet Union, it began as a “cleansing” of the Communist Party and was expanded to one of the entire, vast Soviet population, among which tens of millions were killed or deported. In the Moscow Trials of 1936-1938, Stalin incriminated many party leaders, charging them with crimes ranging from conspiracy to attempted assassination. The accused gave their confessions, seemingly freely in front of a general assembly, just as Napoleon’s accused give theirs in front of all the other animals. This gave lookers-on a reason to believe that the traitors were rightfully accused, another belief we see repeated in Animal Farm. As Orwell suggests in the text, Stalin (and Napoleon) staged the confessions by using violence and fear tactics to coerce the accused. Witnesses at the trials also gave scripted testimony in order to force guilt upon the accused. Stalin had the accused traitors executed (or, if they were lucky, expelled) just as Napoleon has the dogs rip out the throats of the supposed traitors. Despite the publicity of the Moscow Trials, Stalin often had torture and executions performed in secrecy. Orwell makes Napoleon’s purge not only public but especially cruel in order to shed light on the magnitude and barbarism of Stalin’s purges. It is one thing to hear of an execution by humans against humans for political reasons, quite another to contemplate the image of fierce dogs tearing out traitors’ throats.

The Soviet population became terrified of execution and internment in forced labor camps called Gulags. In the novel, the animals’ immediate response to the purge is fear and disillusionment. Shaken, Clover and the other animals try to take comfort in “Beasts of England”—they know that something has gone terribly, terribly wrong but cannot quite describe what or how. They want to focus on the positive ideas of freedom and abundance. Squealer shatters even that comfort when he announces that the song is obsolete and therefore forbidden. We can assume that the real reason Napoleon abolishes it is that, since the animals have committed it to memory, he cannot revise it like the Seven Commandments. Therefore, he forces the animals to forget it, along with the tenets of their beloved Animalism, to be replaced with a new song and new values that are looking more and more like the values under which Mr. Jones ran the farm.

Animal Farm; Chapter VII - Summary


The animals work to rebuild the windmill through a bitter, stormy winter, well aware that the human world is watching and hoping for their failure. Because of increasing food shortages, the animals begin to go hungry. Knowing that the humans must not hear ofAnimal Farm’s hardships, Napoleon enlists the sheep to comment about their increasing rations when within earshot of Mr. Whymper. He also has someone lead Mr. Whymper past the food bins, which are filled with sand and topped with grain to look full.

Napoleon appears in public less and less, and when he does, six fierce dogs act as his guards. As there is need for more grain, he has Mr. Whymper arrange a contract to sell four hundred eggs per week. The hens rebel by laying their eggs in the rafters so that the eggs smash on the floor. Napoleon stops the hens’ rations and makes feeding a hen punishable by death. Nine hens die, supposedly of coccidiosis, during the five-day strike, after which the hens surrender.

Napoleon negotiates with Mr. Frederickand Mr. Pilkington, who wish to buy Animal Farm’s supply of timber. A rumor begins circulating among the animals that Snowball is sneaking into the farm at night and causing mischief. From then on, the animals attribute any misfortune to Snowball’s interference. Napoleon arranges a public investigation of Snowball’s activities. He surveys the farm and claims to smell Snowball’s scent everywhere. The animals are terrified. That evening, Squealer tells the animals that Snowball now belongs to Mr. Frederick, with whom he is plotting to overtake Animal Farm. He claims that Snowball was collaborating with Mr. Jones from the very beginning and claims to have supporting evidence. Squealer also claims that Snowball intended to get the animals killed in the Battle of the Cowshed. When the animals, including Boxer, protest, Squealer invents yet another lie. He claims that Napoleon cried, “Death to Humanity!” during the battle and bit Mr. Jones in the leg. Boxer continues to protest until Squealer tells him that the news is directly from Napoleon. Boxer replies, “If Comrade Napoleon says it, it must be right” (91). Before leaving, Squealer gives Boxer a nasty look and warns the animals that Snowball’s secret agents are lurking among them.

Four days later, Napoleon calls an assembly. He wears the medals of “Animal Hero, First Class” and “Animal Hero, Second Class,” which he has awarded himself. Napoleon’s dogs drag out of the crowd the four pigs that had opposed the cessation of Sunday meetings. The dogs try to drag Boxer out as well, but he deflects them. The pigs confess that they collaborated with Snowball in destroying the windmill and were planning to help Mr. Frederick overtake Animal Farm. They also confess to knowing of Snowball’s partnership with Mr. Jones for years. Then the dogs tear out the four pigs’ throats. Napoleon asks whether any other animal wishes to confess. Three hens, which had led the hen rebellion, confess that Snowball incited them to revolt in a dream vision. After this, several other animals confess to crimes both great (murder) and small (stealing). Napoleon has them all murdered.

After the public executions, the horrified animals slink away. Boxer blames the evil among them to some “fault” in themselves and suggests that the way to quash it is to work harder. As Clover sits on the knoll with the other animals, she considers how different their current situation is than the ideal Old Major put forth. The animals were supposed to create a society of equality and freedom, not one of “terror and slaughter” (95). Still, Clover thinks Animal Farm is better than it was in the days of Mr. Jones’s rule, and her heart remains faithful to it. Unable to put her thoughts into words, Clover leads the animals in singing “Beasts of England.”

Suddenly, however, Squealer arrives with a dog escort and forbids the animals from singing the anthem, for Napoleon has abolished it. He explains that the Rebellion has now ended with the slaughter of the unfaithful and that, being a song of the Rebellion, “Beasts of England” has no further purpose. The animals are now to sing Minimus’s anthem, which begins with the lyrics: “Animal Farm, Animal Farm, / Never through me shalt thou come to harm!”

Animal Farm: Chapter VI - Analysis



In Chapter VI, the animals begin working tirelessly to complete the windmill. In this case, we can see the windmill as the first of Stalin’s Five Year Plans. The Five Year Plans had the same aim as Lenin’s New Economic Policy, which was to stimulate Russian industry and help bring it into the 20th century. Unlike the NEP, which left some control of industry in the people’s hands, Stalin’s Five Year Plans brought Russian industry under complete government control. Orwell mirrors this pattern in Napoleon’s tightening of the reigns on the animal workforce. Napoleon’s supposedly “voluntary” but actually compulsory Sunday labor sets him even farther apart from Snowball, who advocated a shorter workweek.

This episode also reflects Stalin’s reliance on tactics of deception. Although Stalin was clear with industry leaders about the goals of the Five Year Plans, he continued manipulating the public to foster increased—albeit successful—labor. As in history, the animals of Animal Farm are able to achieve great productivity but do not benefit personally from their efforts. They suffer shortages because for all their work, the windmill (like the heavy industry on which Stalin focused Soviet efforts) cannot yet provide them with energy, much less the basic things they need.

Unlike Napoleon, who opens trade relations with neighboring farms, Stalin was conservative about foreign trade. Rather than representing a specific event in history, Napoleon’s decision to conduct business with other farms is another opportunity for Orwell to point out Stalin’s hypocrisy and revisionism by means of the pigs’ rejection of the original principles of the Rebellion. The very basis for Animalism is the idea that humans are the enemy and not to be trusted—“four legs good, two legs bad.” By negotiating with humans, Napoleon undermines Animalism completely at the same time he is reminding the animals that the windmill should be their first priority. By having Napoleon show such disregard for Animalism’s tenets, Orwell suggests that Stalin was more a proponent of his personal interests than he was of the cause of Communism. Like Napoleon, Stalin did not seem to believe in the greater good for which he forced his people to work so tirelessly.

Orwell mirrors Stalin’s caution in dealing with foreign nations in Napoleon’s procurement of an intermediary, Mr. Whymper. Additionally, Whymper represents those countries that traded with the Soviet Union while turning a blind eye to Stalin’s abuses. Whymper (whose name suggests whimpering or docility) works purely for profit and never interferes in Animal Farm’s affairs.

Orwell also expands his critique of Stalin’s revisionist propaganda. The pigs break another of the Seven Commandments when they begin living in the farmhouse and sleeping in beds. Clover and Muriel investigate, only to discover that the commandment has been changed to suit the pigs’ desires. Through his smooth talking, Squealer convinces Clover and Muriel that the commandment has always concerned the use of sheets and not beds. In this revision, the allegory serves Orwell particularly well. Stalin and his propagandists plastered the Soviet Union with propaganda in the form of posters, songs, art, and countless other media. Squealer’s version of this pattern is to continually re-paint the Seven Commandments to reflect Napoleon’s changes in policy. Orwell humorously suggests a Soviet agent going around the Soviet Union, personally scratching out and rewriting the slogans on posters. The point is that the propaganda changes to suit those in power and to keep a controlled acquiescence among the rest.

Chapter VI also continues Orwell’s critique of the tactic of intimidation. When Clover and Muriel question the Seven Commandments’ accuracy, Squealer threatens them (as usual) with Jones’s return. In this chapter, Napoleon’s fear tactics culminate with the windmill’s destruction. Though natural forces are to blame, Napoleon blames the disaster on Snowball in the same way Stalin considered Trotsky a threat even in exile. In the novel, Napoleon sentences Snowball to death, but we never find out whether his orders are carried out, or if Snowball is even still alive at the time of his sentencing. In history, Stalin eventually did have Trotsky assassinated by a Soviet agent in 1940. Whether Snowball is a true threat to Animal Farm or not, Napoleon makes sure the animals believe Snowball is. In this sense, Snowball represents the nebulous foreign threat of which Stalin kept his people wary. There are now two terrorist enemies to fear, Mr. Jones (even if he has left town, other men remain to be afraid of) and Snowball.

Orwell makes the connection between fear tactics and economic strategy very clear at the end of Chapter VI. Napoleon moves directly from accusing Snowball of destroying the windmill to urging the animals, “Forward, comrades! Long live the windmill! Long live Animal Farm” (83). Napoleon remains a leader the animals are willing to follow—they cannot see another choice, anyway, especially with Mr. Jones and Snowball cast as enemies—but the legitimacy of Napoleon’s authority is becoming more and more suspect to the reader.

Animal Farm: Chapter VI - Summary

The animals work sixty-hour weeks all spring and summer in order to build the windmill, but none begrudges the extra labor. In August, Napoleon instates “strictly voluntary” labor on Sundays: animals may choose not to come, but they will have their rations reduced by half. There are plenty of building materials on the premises, and the animals discover that they can break limestone into pieces by using the force of gravity. However, the process of dragging boulders to the top of the quarry and throwing them down is very taxing. Boxer compensates by picking up the other animals’ slack, for which they admire him.

Shortages begin to occur. The animals require things, such as iron for horseshoes and machinery for the windmill, that they cannot produce on the farm. To provide a solution, Napoleon opens trade with the neighboring farms and says that the animals may need to sell some of the hens’ eggs in the nearby town of Willingdon. He makes sure to stress the fact that the windmill should be the animals’ first priority. The other animals are “conscious of a vague uneasiness” because the Seven Commandments forbid trade with humans and the use of money. Napoleon assures the animals that they, at least, will not have to make contact with human beings. He has already set up an agreement with a solicitor in town named Mr. Whymper, who will act as their intermediary to the human world.

After the meeting, Squealer assures the animals that trade and the use of money are allowed after all—that no resolution against those activities has ever been passed. He convinces them that their memory of such a resolution is mistaken. Mr. Whymper visits the farm every Monday to get his orders. Meanwhile, in the human world, humans are more opposed than ever to Animal Farm’s existence. They hope that the windmill will fail and the farm will go bankrupt. Still, they secretly admire Animal Farm’s efficiency, which they have begun to call by its new name. They even stop valorizing Mr. Jones, who has moved away.

One day, the pigs move into the farmhouse. The other animals again feel uneasy, remembering faintly a resolution that forbade such an action. Again, Squealer convinces them that they are mistaken. Napoleon, whom Squealer now calls “The Leader,” should be granted the honor of living in a house. Furthermore, the pigs need a quiet workplace. Squealer’s lies satisfy some of the animals. But Clover decides to investigate when she learns that the pigs have taken to sleeping in beds. She tries to read the Seven Commandments on the barn wall, but she cannot. Muriel is able to read it for her. One resolution has been changed to: “No animal shall sleep in a bed with sheets” (79). At this point, Squealer approaches and denies that there was ever a rule against beds—only sheets. As usual, he justifies the pigs’ actions by threatening Mr. Jones’s return. Soon after, the pigs award themselves the additional privilege of waking up an hour late.

By autumn, the windmill is half finished. One night in November, violent winds ravage the farm and destroy the windmill. Napoleon quickly blames the destruction on Snowball. He sentences Snowball to death and offers half a bushel of apples and the title of “Animal Hero, Second Class” to any animal that detains him. There is a track of pig footprints leading to the hedge, which Napoleon attributes to Snowball. Then Napoleon rouses the animals to action, saying, “Forward, comrades! Long live the windmill! Long live Animal Farm!” (83).

 
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