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Showing posts with label Merchant of Venice. Show all posts
Showing posts with label Merchant of Venice. Show all posts

Merchant of Venice: Act IV - SCENE 02


SCENE II. The same. A street.

Enter PORTIA and NERISSA 

PORTIA
Inquire the Jew's house out, give him this deed
And let him sign it: we'll away to-night
And be a day before our husbands home:
This deed will be well welcome to Lorenzo.

Enter GRATIANO

GRATIANO
Fair sir, you are well o'erta'en
My Lord Bassanio upon more advice
Hath sent you here this ring, and doth entreat
Your company at dinner.

PORTIA
That cannot be:
His ring I do accept most thankfully:
And so, I pray you, tell him: furthermore,
I pray you, show my youth old Shylock's house.

GRATIANO
That will I do.

NERISSA
Sir, I would speak with you.

Aside to PORTIA

I'll see if I can get my husband's ring,
Which I did make him swear to keep for ever.

PORTIA
[Aside to NERISSA] Thou mayst, I warrant.
We shall have old swearing
That they did give the rings away to men;
But we'll outface them, and outswear them too.

Aloud

Away! make haste: thou knowist where I will tarry.

NERISSA
Come, good sir, will you show me to this house?

Source: http://www.online-literature.com/shakespeare/merchant/19/

Merchant of Venice: Act IV - SCENE 01

SCENE I. Venice. A court of justice.

Enter the DUKE, the Magnificoes, ANTONIO, BASSANIO, GRATIANO, SALERIO, and others

DUKE
What, is Antonio here?

ANTONIO
Ready, so please your grace.

DUKE
I am sorry for thee: thou art come to answer
A stony adversary, an inhuman wretch
uncapable of pity, void and empty
From any dram of mercy.

ANTONIO
I have heard
Your grace hath ta'en great pains to qualify
His rigorous course; but since he stands obdurate
And that no lawful means can carry me
Out of his envy's reach, I do oppose
My patience to his fury, and am arm'd
To suffer, with a quietness of spirit,
The very tyranny and rage of his.

DUKE
Go one, and call the Jew into the court.

SALERIO
He is ready at the door: he comes, my lord.

Enter SHYLOCK

DUKE
Make room, and let him stand before our face.
Shylock, the world thinks, and I think so too,
That thou but lead'st this fashion of thy malice
To the last hour of act; and then 'tis thought
Thou'lt show thy mercy and remorse more strange
Than is thy strange apparent cruelty;
And where thou now exact'st the penalty,
Which is a pound of this poor merchant's flesh,
Thou wilt not only loose the forfeiture,
But, touch'd with human gentleness and love,
Forgive a moiety of the principal;
Glancing an eye of pity on his losses,
That have of late so huddled on his back,
Enow to press a royal merchant down
And pluck commiseration of his state
From brassy bosoms and rough hearts of flint,
From stubborn Turks and Tartars, never train'd
To offices of tender courtesy.
We all expect a gentle answer, Jew.

SHYLOCK
I have possess'd your grace of what I purpose;
And by our holy Sabbath have I sworn
To have the due and forfeit of my bond:
If you deny it, let the danger light
Upon your charter and your city's freedom.
You'll ask me, why I rather choose to have
A weight of carrion flesh than to receive
Three thousand ducats: I'll not answer that:
But, say, it is my humour: is it answer'd?
What if my house be troubled with a rat
And I be pleased to give ten thousand ducats
To have it baned? What, are you answer'd yet?
Some men there are love not a gaping pig;
Some, that are mad if they behold a cat;
And others, when the bagpipe sings i' the nose,
Cannot contain their urine: for affection,
Mistress of passion, sways it to the mood
Of what it likes or loathes. Now, for your answer:
As there is no firm reason to be render'd,
Why he cannot abide a gaping pig;
Why he, a harmless necessary cat;
Why he, a woollen bagpipe; but of force
Must yield to such inevitable shame
As to offend, himself being offended;
So can I give no reason, nor I will not,
More than a lodged hate and a certain loathing
I bear Antonio, that I follow thus
A losing suit against him. Are you answer'd?

BASSANIO
This is no answer, thou unfeeling man,
To excuse the current of thy cruelty.

SHYLOCK
I am not bound to please thee with my answers.

BASSANIO
Do all men kill the things they do not love?

SHYLOCK
Hates any man the thing he would not kill?

BASSANIO
Every offence is not a hate at first.

SHYLOCK
What, wouldst thou have a serpent sting thee twice?

ANTONIO
I pray you, think you question with the Jew:
You may as well go stand upon the beach
And bid the main flood bate his usual height;
You may as well use question with the wolf
Why he hath made the ewe bleat for the lamb;
You may as well forbid the mountain pines
To wag their high tops and to make no noise,
When they are fretten with the gusts of heaven;
You may as well do anything most hard,
As seek to soften that--than which what's harder?--
His Jewish heart: therefore, I do beseech you,
Make no more offers, use no farther means,
But with all brief and plain conveniency
Let me have judgment and the Jew his will.

BASSANIO
For thy three thousand ducats here is six.

SHYLOCK
What judgment shall I dread, doing
Were in six parts and every part a ducat,
I would not draw them; I would have my bond.

DUKE
How shalt thou hope for mercy, rendering none?

SHYLOCK
What judgment shall I dread, doing no wrong?
You have among you many a purchased slave,
Which, like your asses and your dogs and mules,
You use in abject and in slavish parts,
Because you bought them: shall I say to you,
Let them be free, marry them to your heirs?
Why sweat they under burthens? let their beds
Be made as soft as yours and let their palates
Be season'd with such viands? You will answer
'The slaves are ours:' so do I answer you:
The pound of flesh, which I demand of him,
Is dearly bought; 'tis mine and I will have it.
If you deny me, fie upon your law!
There is no force in the decrees of Venice.
I stand for judgment: answer; shall I have it?

DUKE
Upon my power I may dismiss this court,
Unless Bellario, a learned doctor,
Whom I have sent for to determine this,
Come here to-day.

SALERIO
My lord, here stays without
A messenger with letters from the doctor,
New come from Padua.

DUKE
Bring us the letter; call the messenger.

BASSANIO
Good cheer, Antonio! What, man, courage yet!
The Jew shall have my flesh, blood, bones and all,
Ere thou shalt lose for me one drop of blood.

ANTONIO
I am a tainted wether of the flock,
Meetest for death: the weakest kind of fruit
Drops earliest to the ground; and so let me
You cannot better be employ'd, Bassanio,
Than to live still and write mine epitaph.

Enter NERISSA, dressed like a lawyer's clerk

DUKE
Came you from Padua, from Bellario?

NERISSA
From both, my lord. Bellario greets your grace.

Presenting a letter

BASSANIO
Why dost thou whet thy knife so earnestly?

SHYLOCK
To cut the forfeiture from that bankrupt there.

GRATIANO
Not on thy sole, but on thy soul, harsh Jew,
Thou makest thy knife keen; but no metal can,
No, not the hangman's axe, bear half the keenness
Of thy sharp envy. Can no prayers pierce thee?

SHYLOCK
No, none that thou hast wit enough to make.

GRATIANO
O, be thou damn'd, inexecrable dog!
And for thy life let justice be accused.
Thou almost makest me waver in my faith
To hold opinion with Pythagoras,
That souls of animals infuse themselves
Into the trunks of men: thy currish spirit
Govern'd a wolf, who, hang'd for human slaughter,
Even from the gallows did his fell soul fleet,
And, whilst thou lay'st in thy unhallow'd dam,
Infused itself in thee; for thy desires
Are wolvish, bloody, starved and ravenous.

SHYLOCK
Till thou canst rail the seal from off my bond,
Thou but offend'st thy lungs to speak so loud:
Repair thy wit, good youth, or it will fall
To cureless ruin. I stand here for law.

DUKE
This letter from Bellario doth commend
A young and learned doctor to our court.
Where is he?

NERISSA
He attendeth here hard by,
To know your answer, whether you'll admit him.

DUKE
With all my heart. Some three or four of you
Go give him courteous conduct to this place.
Meantime the court shall hear Bellario's letter.

Clerk
[Reads]
Your grace shall understand that at the receipt of
your letter I am very sick: but in the instant that
your messenger came, in loving visitation was with
me a young doctor of Rome; his name is Balthasar. I
acquainted him with the cause in controversy between
the Jew and Antonio the merchant: we turned o'er
many books together: he is furnished with my
opinion; which, bettered with his own learning, the
greatness whereof I cannot enough commend, comes
with him, at my importunity, to fill up your grace's
request in my stead. I beseech you, let his lack of
years be no impediment to let him lack a reverend
estimation; for I never knew so young a body with so
old a head. I leave him to your gracious
acceptance, whose trial shall better publish his
commendation.

DUKE
You hear the learn'd Bellario, what he writes:
And here, I take it, is the doctor come.

Enter PORTIA, dressed like a doctor of laws

Give me your hand. Come you from old Bellario?

PORTIA
I did, my lord.

DUKE
You are welcome: take your place.
Are you acquainted with the difference
That holds this present question in the court?

PORTIA
I am informed thoroughly of the cause.
Which is the merchant here, and which the Jew?

DUKE
Antonio and old Shylock, both stand forth.

PORTIA
Is your name Shylock?

SHYLOCK
Shylock is my name.

PORTIA
Of a strange nature is the suit you follow;
Yet in such rule that the Venetian law
Cannot impugn you as you do proceed.
You stand within his danger, do you not?

ANTONIO
Ay, so he says.

PORTIA
Do you confess the bond?

ANTONIO
I do.

PORTIA
Then must the Jew be merciful.

SHYLOCK
On what compulsion must I? tell me that.

PORTIA
The quality of mercy is not strain'd,
It droppeth as the gentle rain from heaven
Upon the place beneath: it is twice blest;
It blesseth him that gives and him that takes:
'Tis mightiest in the mightiest: it becomes
The throned monarch better than his crown;
His sceptre shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway;
It is enthroned in the hearts of kings,
It is an attribute to God himself;
And earthly power doth then show likest God's
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this,
That, in the course of justice, none of us
Should see salvation: we do pray for mercy;
And that same prayer doth teach us all to render
The deeds of mercy. I have spoke thus much
To mitigate the justice of thy plea;
Which if thou follow, this strict court of Venice
Must needs give sentence 'gainst the merchant there.

SHYLOCK
My deeds upon my head! I crave the law,
The penalty and forfeit of my bond.

PORTIA
Is he not able to discharge the money?

BASSANIO
Yes, here I tender it for him in the court;
Yea, twice the sum: if that will not suffice,
I will be bound to pay it ten times o'er,
On forfeit of my hands, my head, my heart:
If this will not suffice, it must appear
That malice bears down truth. And I beseech you,
Wrest once the law to your authority:
To do a great right, do a little wrong,
And curb this cruel devil of his will.

PORTIA
It must not be; there is no power in Venice
Can alter a decree established:
'Twill be recorded for a precedent,
And many an error by the same example
Will rush into the state: it cannot be.

SHYLOCK
A Daniel come to judgment! yea, a Daniel!
O wise young judge, how I do honour thee!

PORTIA
I pray you, let me look upon the bond.

SHYLOCK
Here it is, most reverend doctor, here it is.

PORTIA
Shylock, there's thrice thy money offer'd thee.

SHYLOCK
An oath, an oath, I have an oath in heaven:
Shall I lay perjury upon my soul?
No, not for Venice.

PORTIA
Why, this bond is forfeit;
And lawfully by this the Jew may claim
A pound of flesh, to be by him cut off
Nearest the merchant's heart. Be merciful:
Take thrice thy money; bid me tear the bond.

SHYLOCK
When it is paid according to the tenor.
It doth appear you are a worthy judge;
You know the law, your exposition
Hath been most sound: I charge you by the law,
Whereof you are a well-deserving pillar,
Proceed to judgment: by my soul I swear
There is no power in the tongue of man
To alter me: I stay here on my bond.

ANTONIO
Most heartily I do beseech the court
To give the judgment.

PORTIA
Why then, thus it is:
You must prepare your bosom for his knife.

SHYLOCK
O noble judge! O excellent young man!

PORTIA
For the intent and purpose of the law
Hath full relation to the penalty,
Which here appeareth due upon the bond.

SHYLOCK
'Tis very true: O wise and upright judge!
How much more elder art thou than thy looks!

PORTIA
Therefore lay bare your bosom.

SHYLOCK
Ay, his breast:
So says the bond: doth it not, noble judge?
'Nearest his heart:' those are the very words.

PORTIA
It is so. Are there balance here to weigh
The flesh?

SHYLOCK
I have them ready.

PORTIA
Have by some surgeon, Shylock, on your charge,
To stop his wounds, lest he do bleed to death.

SHYLOCK
Is it so nominated in the bond?

PORTIA
It is not so express'd: but what of that?
'Twere good you do so much for charity.

SHYLOCK
I cannot find it; 'tis not in the bond.

PORTIA
You, merchant, have you any thing to say?

ANTONIO
But little: I am arm'd and well prepared.
Give me your hand, Bassanio: fare you well!
Grieve not that I am fallen to this for you;
For herein Fortune shows herself more kind
Than is her custom: it is still her use
To let the wretched man outlive his wealth,
To view with hollow eye and wrinkled brow
An age of poverty; from which lingering penance
Of such misery doth she cut me off.
Commend me to your honourable wife:
Tell her the process of Antonio's end;
Say how I loved you, speak me fair in death;
And, when the tale is told, bid her be judge
Whether Bassanio had not once a love.
Repent but you that you shall lose your friend,
And he repents not that he pays your debt;
For if the Jew do cut but deep enough,
I'll pay it presently with all my heart.

BASSANIO
Antonio, I am married to a wife
Which is as dear to me as life itself;
But life itself, my wife, and all the world,
Are not with me esteem'd above thy life:
I would lose all, ay, sacrifice them all
Here to this devil, to deliver you.

PORTIA
Your wife would give you little thanks for that,
If she were by, to hear you make the offer.

GRATIANO
I have a wife, whom, I protest, I love:
I would she were in heaven, so she could
Entreat some power to change this currish Jew.

NERISSA
'Tis well you offer it behind her back;
The wish would make else an unquiet house.

SHYLOCK
These be the Christian husbands. I have a daughter;
Would any of the stock of Barrabas
Had been her husband rather than a Christian!

Aside

We trifle time: I pray thee, pursue sentence.

PORTIA
A pound of that same merchant's flesh is thine:
The court awards it, and the law doth give it.

SHYLOCK
Most rightful judge!

PORTIA
And you must cut this flesh from off his breast:
The law allows it, and the court awards it.

SHYLOCK
Most learned judge! A sentence! Come, prepare!

PORTIA
Tarry a little; there is something else.
This bond doth give thee here no jot of blood;
The words expressly are 'a pound of flesh:'
Take then thy bond, take thou thy pound of flesh;
But, in the cutting it, if thou dost shed
One drop of Christian blood, thy lands and goods
Are, by the laws of Venice, confiscate
Unto the state of Venice.

GRATIANO
O upright judge! Mark, Jew: O learned judge!

SHYLOCK
Is that the law?

PORTIA
Thyself shalt see the act:
For, as thou urgest justice, be assured
Thou shalt have justice, more than thou desirest.

GRATIANO
O learned judge! Mark, Jew: a learned judge!

SHYLOCK
I take this offer, then; pay the bond thrice
And let the Christian go.

BASSANIO
Here is the money.

PORTIA
Soft!
The Jew shall have all justice; soft! no haste:
He shall have nothing but the penalty.

GRATIANO
O Jew! an upright judge, a learned judge!

PORTIA
Therefore prepare thee to cut off the flesh.
Shed thou no blood, nor cut thou less nor more
But just a pound of flesh: if thou cut'st more
Or less than a just pound, be it but so much
As makes it light or heavy in the substance,
Or the division of the twentieth part
Of one poor scruple, nay, if the scale do turn
But in the estimation of a hair,
Thou diest and all thy goods are confiscate.

GRATIANO
A second Daniel, a Daniel, Jew!
Now, infidel, I have you on the hip.

PORTIA
Why doth the Jew pause? take thy forfeiture.

SHYLOCK
Give me my principal, and let me go.

BASSANIO
I have it ready for thee; here it is.

PORTIA
He hath refused it in the open court:
He shall have merely justice and his bond.

GRATIANO
A Daniel, still say I, a second Daniel!
I thank thee, Jew, for teaching me that word.

SHYLOCK
Shall I not have barely my principal?

PORTIA
Thou shalt have nothing but the forfeiture,
To be so taken at thy peril, Jew.

SHYLOCK
Why, then the devil give him good of it!
I'll stay no longer question.

PORTIA
Tarry, Jew:
The law hath yet another hold on you.
It is enacted in the laws of Venice,
If it be proved against an alien
That by direct or indirect attempts
He seek the life of any citizen,
The party 'gainst the which he doth contrive
Shall seize one half his goods; the other half
Comes to the privy coffer of the state;
And the offender's life lies in the mercy
Of the duke only, 'gainst all other voice.
In which predicament, I say, thou stand'st;
For it appears, by manifest proceeding,
That indirectly and directly too
Thou hast contrived against the very life
Of the defendant; and thou hast incurr'd
The danger formerly by me rehearsed.
Down therefore and beg mercy of the duke.

GRATIANO
Beg that thou mayst have leave to hang thyself:
And yet, thy wealth being forfeit to the state,
Thou hast not left the value of a cord;
Therefore thou must be hang'd at the state's charge.

DUKE
That thou shalt see the difference of our spirits,
I pardon thee thy life before thou ask it:
For half thy wealth, it is Antonio's;
The other half comes to the general state,
Which humbleness may drive unto a fine.

PORTIA
Ay, for the state, not for Antonio.

SHYLOCK
Nay, take my life and all; pardon not that:
You take my house when you do take the prop
That doth sustain my house; you take my life
When you do take the means whereby I live.

PORTIA
What mercy can you render him, Antonio?

GRATIANO
A halter gratis; nothing else, for God's sake.

ANTONIO
So please my lord the duke and all the court
To quit the fine for one half of his goods,
I am content; so he will let me have
The other half in use, to render it,
Upon his death, unto the gentleman
That lately stole his daughter:
Two things provided more, that, for this favour,
He presently become a Christian;
The other, that he do record a gift,
Here in the court, of all he dies possess'd,
Unto his son Lorenzo and his daughter.

DUKE
He shall do this, or else I do recant
The pardon that I late pronounced here.

PORTIA
Art thou contented, Jew? what dost thou say?

SHYLOCK
I am content.

PORTIA
Clerk, draw a deed of gift.

SHYLOCK
I pray you, give me leave to go from hence;
I am not well: send the deed after me,
And I will sign it.

DUKE
Get thee gone, but do it.

GRATIANO
In christening shalt thou have two god-fathers:
Had I been judge, thou shouldst have had ten more,
To bring thee to the gallows, not the font.

Exit SHYLOCK

DUKE
Sir, I entreat you home with me to dinner.

PORTIA
I humbly do desire your grace of pardon:
I must away this night toward Padua,
And it is meet I presently set forth.

DUKE
I am sorry that your leisure serves you not.
Antonio, gratify this gentleman,
For, in my mind, you are much bound to him.

Exeunt Duke and his train

BASSANIO
Most worthy gentleman, I and my friend
Have by your wisdom been this day acquitted
Of grievous penalties; in lieu whereof,
Three thousand ducats, due unto the Jew,
We freely cope your courteous pains withal.

ANTONIO

And stand indebted, over and above,
In love and service to you evermore.

PORTIA
He is well paid that is well satisfied;
And I, delivering you, am satisfied
And therein do account myself well paid:
My mind was never yet more mercenary.
I pray you, know me when we meet again:
I wish you well, and so I take my leave.

BASSANIO
Dear sir, of force I must attempt you further:
Take some remembrance of us, as a tribute,
Not as a fee: grant me two things, I pray you,
Not to deny me, and to pardon me.

PORTIA
You press me far, and therefore I will yield.

To ANTONIO

Give me your gloves, I'll wear them for your sake;

To BASSANIO

And, for your love, I'll take this ring from you:
Do not draw back your hand; I'll take no more;
And you in love shall not deny me this.

BASSANIO
This ring, good sir, alas, it is a trifle!
I will not shame myself to give you this.

PORTIA
I will have nothing else but only this;
And now methinks I have a mind to it.

BASSANIO
There's more depends on this than on the value.
The dearest ring in Venice will I give you,
And find it out by proclamation:
Only for this, I pray you, pardon me.

PORTIA
I see, sir, you are liberal in offers
You taught me first to beg; and now methinks
You teach me how a beggar should be answer'd.

BASSANIO
Good sir, this ring was given me by my wife;
And when she put it on, she made me vow
That I should neither sell nor give nor lose it.

PORTIA
That 'scuse serves many men to save their gifts.
An if your wife be not a mad-woman,
And know how well I have deserved the ring,
She would not hold out enemy for ever,
For giving it to me. Well, peace be with you!

Exeunt Portia and Nerissa
ANTONIO
My Lord Bassanio, let him have the ring:
Let his deservings and my love withal
Be valued against your wife's commandment.

BASSANIO
Go, Gratiano, run and overtake him;
Give him the ring, and bring him, if thou canst,
Unto Antonio's house: away! make haste.

Exit Gratiano
Come, you and I will thither presently;
And in the morning early will we both
Fly toward Belmont: come, Antonio.

Source: http://www.online-literature.com/shakespeare/merchant/18/

Merchant of Venice: Act IV - Summary 02

SCENE 1 

Act 4 opens in a court room in Venice with the Duke, Antonio, Bassanio, Gratiano, Salerio, and others present.

The Duke expresses sympathy for a having an enemy that is as empty of mercy as Shylock. Antonio states that as the law is on Shylocks side he is ready to pay the price. The Duke requests that Shylock enter the court room. The Duke strongly requests Shylock to relent. Shylock refuses and gives no excuse for his unwillingness to bend on the terms of h their agreement. He states that he will not accept payment but wants Antonio's flesh because he hates him. Bassanio asks if all men are so cruel to kill the things they do not love. Antonio tells Bassanio that it is a waste of time to argue with Shylock, and that no logic will soften his heart. Bassanio offers six thousand ducats and Shylock refuses. Shylock draws on the fact that Christians have slaves to explain his point that he "owns" Antonio's flesh and he shall have it. The Duke states he will dismiss the court unless the Doctor Bellario comes to decide the case. Just then a messenger from Bellario arrives. As they wait for the messenger Bassanio attempts to cheer up Antonio saying that he will die before he lets Shylock have Antonio's flesh.

Nerissa enters dressed as a lawyer's clerk. Nerissa states that she comes from Bellario with a letter from the doctor. The letter requests that the Duke allow a young doctor of law to attend the case. The Duke readily agrees. Portia enters dressed as a doctor of law. She attempts to get Shylock to relent. She portrays mercy as an attribute of a king and God. Shylock still refuses. Bassanio offers money twice more as Shylock states he will only be satisfied with flesh. Portia finally states that Antonio must make ready to have the flesh removed. She asks Shylock to allow a surgeon to come to stop the blood. Shylock refuses this mercy as it is not written in the bond. Antonio asks Bassanio to tell his new wife of him. At the last minute Portia tells Shylock that while he may have the flesh he cannot have a drop of blood as it is not written into the bond. Shylock realizes he cannot have his flesh and so states he will take the money. Portia tells him that because he has already refused it Shylock can only have the flesh. In fact, she states, he cannot even have the principal, and cannot leave because he has attempted to murder a Venetian citizen. The price of Shylock's crime is death and the loss of his estate. The estate should go half to Antonio and half to the city of Venice. The Duke spares Shylock's life but he must still forfeit his estate. Antonio states that he should give half his money to his daughter and her Christian husband upon his death. Additionally, Shylock must become a Christian. Shylock agrees but states he is too ill to sign the papers at that time and requests the papers be sent to him. Shylock leaves. The Duke invites the doctor of law to have dinner with him, but Portia states she must return home immediately. The Duke leaves.

Bassanio offers the "judge" the three thousand ducats that were to go to Shylock but is refused. Bassanio insists that the judge should take something and Portia takes Antonio's gloves and asks Bassanio for his ring. Bassanio refuses stating that it was a gift from his wife. Portia leaves saying that Bassanio's wife would have said she deserved the ring.

Antonio convinces Bassanio that he should have given the judge the ring and so Bassanio takes it off and asks Gratiano to take the ring to the judge.

SCENE 2

During this scene Portia and Nerissa are in a street in Venice.

Portia is sending Nerissa into Shylock's house to deliver the papers he promised to sign. Gratiano catches up to them to deliver the ring and invites them to dinner. Portia refuses stating she must bring the clerk to Shylock's house. Nerissa thinks it would be fun to trick Gratiano out of his ring as well.

Source: http://www.online-literature.com/shakespeare/merchant/104/

Merchant of Venice: Synopsis

Bassanio, a young Venetian of noble rank, wishes to woo the beautiful and wealthy heiress Portia of Belmont. Having squandered his estate, Bassanio approaches his friend Antonio, a wealthy merchant of Venice who has previously and repeatedly bailed him out, for 3,000 ducats needed to subsidise his expenditures as a suitor. Antonio agrees, but since he is cash-poor – his ships and merchandise are busy at sea – he promises to cover a bond if Bassanio can find a lender, so Bassanio turns to the Jewish moneylender Shylock and names Antonio as the loan's guarantor.

Antonio has already made an enemy of Shylock through his outspoken antisemitism. The moneylender knows of Antonio's customary refusal to borrow or lend money with interest. Shylock is at first reluctant to grant the loan, citing abuse he has suffered at Antonio's hand, but finally agrees to lend the sum to Antonio without interest upon one condition: if Antonio is unable to repay it at the specified date, Shylock may take a pound of Antonio's flesh. Bassanio does not want Antonio to accept such a risky condition; Antonio is surprised by what he sees as the moneylender's generosity (no "usance" – interest – is asked for), and he signs the contract. With money at hand, Bassanio leaves for Belmont with his friend Gratiano, who has asked to accompany him. Gratiano is a likeable young man, but is often flippant, overly talkative, and tactless. Bassanio warns his companion to exercise self-control, and the two leave for Belmont and Portia.

Meanwhile in Belmont, Portia is awash with suitors. Her father left a will stipulating each of her suitors must choose correctly from one of three caskets – one each of gold, silver and lead. If he picks the right casket, he gets Portia. The first suitor, the luxurious Prince of Morocco, chooses the gold casket, interpreting its slogan "Who chooseth me shall gain what many men desire"(act 2 scene 7) as referring to Portia. The second suitor, the conceited Prince of Arragon, chooses the silver casket, which proclaims "Who chooseth me shall get as much as he deserves"(act 2 scene 7), imagining himself to be full of merit. Both suitors leave empty-handed, having rejected the lead casket because of the baseness of its material and the uninviting nature of its slogan: "Who chooseth me must give and hazard all he hath."(act 2 scene 7) The last suitor is Bassanio, whom Portia wishes to succeed, having met him before. As Bassanio ponders his choice, members of Portia's household sing a song which says that "fancy" (not true love) is "engend'red in the eyes, With gazing fed.",[1] prompting Bassanio to disregard "outward shows" and "ornament" and chooses the lead casket, winning Portia's hand.

At Venice, Antonio's ships are reported lost at sea. This leaves him unable to satisfy the bond. Shylock is even more determined to exact revenge from Christians after his daughter Jessica had fled home and eloped with the Christian Lorenzo, taking a substantial amount of Shylock's wealth with her, as well as a turquoise ring which was a gift to Shylock from his late wife, Leah. Shylock has Antonio brought before court.

At Belmont, Bassanio receives a letter telling him that Antonio has been unable to return the loan taken from Shylock. Portia and Bassanio marry, as do Gratiano and Portia's handmaid Nerissa. Bassanio and Gratiano then leave for Venice, with money from Portia, to save Antonio's life by offering the money to Shylock. Unknown to Bassanio and Gratiano, Portia has sent her servant, Balthazar, to seek the counsel of Portia's cousin, Bellario, a lawyer, at Padua.

The climax of the play comes in the court of the Duke of Venice. Shylock refuses Bassanio's offer of 6,000 ducats, twice the amount of the loan. He demands his pound of flesh from Antonio. The Duke, wishing to save Antonio but unable to nullify a contract, refers the case to a visitor who introduces himself as Balthazar, a young male "doctor of the law", bearing a letter of recommendation to the Duke from the learned lawyer Bellario. The doctor is actually Portia in disguise, and the law clerk who accompanies her is actually Nerissa, also in disguise. As Balthazar, Portia repeatedly asks Shylock to show mercy in a famous speech, advising him that mercy "is twice blest: It blesseth him that gives and him that takes." (IV,i,185) However, Shylock adamantly refuses any compensations and insists on the pound of flesh.

As the court grants Shylock his bond and Antonio prepares for Shylock's knife, Portia deftly appropriates Shylock's argument for 'specific performance', and points out that the contract only allows Shylock to remove the flesh, not the "blood", of Antonio (see quibble). Thus, if Shylock were to shed any drop of Antonio's blood, his "lands and goods" would be forfeited under Venetian laws. Further damning Shylock's case, she tells him that he must cut precisely one pound of flesh, no more, no less; she advises him that "if the scale do turn, But in the estimation of a hair, Thou diest and all thy goods are confiscate."

Defeated, Shylock concedes to accepting Bassanio's offer of money for the defaulted bond, first his offer to pay "the bond thrice", which Portia rebuffs, telling him to take his bond, and then merely the principal, which Portia also prevents him from doing on the ground that he has already refused it "in the open court." She then cites a law under which Shylock, as a Jew and therefore an "alien", having attempted to take the life of a citizen, has forfeited his property, half to the government and half to Antonio, leaving his life at the mercy of the Duke. The Duke immediately pardons Shylock's life. Antonio asks for his share "in use" until Shylock's death, when the principal will be given to Lorenzo and Jessica. At Antonio's request, the Duke grants remission of the state's half of forfeiture, but on the condition of Shylock converting to Christianity and bequeathing his entire estate to Lorenzo and Jessica (IV,i).

Bassanio does not recognise his disguised wife, but offers to give a present to the supposed lawyer. First she declines, but after he insists, Portia requests his ring and Antonio's gloves. Antonio parts with his gloves without a second thought, but Bassanio gives the ring only after much persuasion from Antonio, as earlier in the play he promised his wife never to lose, sell or give it. Nerissa, as the lawyer's clerk, also succeeds in likewise retrieving her ring from Gratiano, who does not see through her disguise.

At Belmont, Portia and Nerissa taunt and pretend to accuse their husbands before revealing they were really the lawyer and his clerk in disguise (V). After all the other characters make amends, Antonio learns from Portia that three of his ships were not stranded and have returned safely after all.

Source: http://en.wikipedia.org/wiki/The_Merchant_of_Venice

Merchant of Venice: Characters and Overview


Characters

  • Antonio: a merchant of Venice.
  • Bassanio: Antonio's friend; suitor to Portia.
  • Gratiano, Solanio, Salarino, Salerio: friends of Antonio and Bassanio.
  • Lorenzo: friend of Antonio and Bassanio, in love with Jessica.
  • Portia: a rich heiress.
  • Nerissa: Portia's waiting maid- in love with Gratiano.
  • Balthazar: Portia's servant, who Portia later disguises herself as.
  • Stephano: Nerissa's disguise as Balthazar's law clerk.
  • Shylock: a rich Jew, moneylender, father of Jessica.
  • Jessica: daughter of Shylock, in love with Lorenzo.
  • Tubal: a Jew; Shylock's friend.
  • Launcelot Gobbo: a servant to Shylock.
  • Old Gobbo: father of Launcelot.
  • Leonardo: servant to Bassanio.
  • Duke of Venice: Venetian authority who presides over the case of Shylock's bond.
  • Prince of Morocco: suitor to Portia.
  • Prince of Arragon: suitor to Portia.
  • Magnificoes of Venice, officers of the Court of Justice, Gaoler, servants to Portia, and other Attendants.

Overview

The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598. Though classified as a comedy in the First Folio and sharing certain aspects with Shakespeare's other romantic comedies, the play is perhaps most remembered for its dramatic scenes, and is best known for Shylock and the famous "Hath not a Jew eyes?" speech. Also notable is Portia's speech about "the quality of mercy". 

The title character is the merchant Antonio, not the Jewish moneylender Shylock, who is the play's most prominent and most famous character. Bassanio is a young and vital member of the aristocratic classes in 16th century Italy; however, Bassanio's impulsive nature and lavish lifestyle have put him deeply in debt, and he will need at least the pretense of a fortune if he is to win the hand of the beautiful Portia. Bassanio turns to his close friend Antonio, a successful businessman, for financial help, but with much of his fortune tied up in a sailing expedition, Antonio can do little to help him. To help Bassanio, Antonio turns to Shylock, a Jewish money lender who lives in Venice's Semetic ghetto. Antonio has often expressed his contempt for Shylock, who charges high rates for his loans, and Shylock clearly seems pleased at the ironic prospect of having Antonio as a customer; however, instead of interest, Shylock demands an unusual security on his loan -- though Shylock demands no interest, if Antonio does not repay the three thousand ducats in three months, Shylock will be entitled to a pound of his flesh.

Merchant of Venice: Analysis of Act IV


Shylock's reasons for wanting to kill Antonio come across as very arbitrary and obscure. He compares his desire to kill Antonio with "Some men there are love not a gaping pig, / Some that are mad if they behold a cat" (4.1.46-47). He follows this with the statement, "So can I give no reason, nor I will not, / More than a lodged hate and a certain loathing / I bear Antonio" (4.1.58-60). This inability on Shylocks's part to give a concrete answer as to why he wants to kill Antonio can only be explained by understanding the doubling between Shylock and Antonio.

This doubling of Shylock and Antonio takes place through the way they use money and family. Antonio starts the play unable to make his money breed because he takes no interest. He further has no wife or children and therefore emerges as an impotent character. Antonio reveals in Act Four what sort of person he represents: "I am a tainted wether of the flock" (4.1.113). The "wether" is a castrated male sheep, thus directly stating the fact that Antonio is unable to breed. Shylock starts the play on the opposite extreme, able to make his money breed with interest and his family breed through Jessica. However, it is Antonio who convinces him to not take interest on this particular bond, and it is later Antonio whom Shylock accuses of allowing Jessica to escape. Thus for Shylock, Antonio represents the man who made him impotent as well. His hatred towards Antonio can thereby be explained. It is further irony that in this act Antonio makes Shylock convert to Christianity, thus removing even that distinction between the two men. In essence, the destroyed Shylock at the end of the play is very similar to the melancholy Antonio in the beginning.

Portia adds to this sense of doubling when she arrives in the court. She asks, "Which is the merchant here, and which the Jew?" (4.1.169). Indeed, given the confusion so many people have with the title, it is often this very question which is asked. Scholars have tried to attribute her question to blind justice, arguing that Portia does not want to show any favorites. However, on an Elizabethan stage she would be able to recognize Shylock immediately from his distinctive dress.

The essence of doubling is reinforced even more with the double exclusion of the two men at the end of the play. Antonio, having received half of Shylock's wealth, essentially takes over for Shylock by using Shylock's money. Scholars have debated about the nature of the "merry bond" between Shylock and Antonio. Some have suggested Shylock meant to circumcise Antonio, others think he meant to make Antonio take over his place. The fact that Shylock accepts a Christian condition of taking no interest is supposedly offset by the fact that if Shylock wins, Antonio must act Jewish.

Another interesting interpretation deals with why Antonio must stand trial at all. In the Bible Paul said that Jewishness is an internal condition, not external. This implies that Shylock is Jewish not because he was born that way, but because he acts that way. Thus Antonio's mistreatment of Shylock violates this explanation of Jewishness by despising Shylock because of his external features. It is this sin for which Antonio is judged.

Throughout this play there is also the concept of the scapegoat. The scapegoat was used as a way of purging a town of its sins by heaping them onto the unfortunate animal instead. The town would drive one goat out of town and sacrifice another. Both men fit this description in The Merchant of Venice, with Shylock clearly driven out of society and Antonio representing the goat about to be sacrificed.

One of the great ironies of this play is where Shylock calls Portia, "A Daniel come to judgment, yea, a Daniel!" (4.1.218). Daniel was the biblical judge of Susanna, a woman accused of inchastity by the Elders. The story is famous because Daniel rules in Susanna's favor, thus rescuing her. In addition to freeing her, he then further convicts the Elders. Shylock's mistake is that he is premature in calling Portia a Daniel, because he is the one who represents the Elders, and Antonio signifies Susanna. This inversion comes only a few lines later, when Portia not only frees Antonio, but convicts Shylock of attempted murder.

The relationship between Antonio and Bassanio comes to the forefront in this section. Antonio can literally be seen as a lover of Bassanio, willing to die for him (4.1.260-274). This creates the conflict between Portia and Antonio, a conflict she is willing to test by demanding that Bassanio give her his ring. The fact that Bassanio parts with the ring for Antonio's sake, as does Graziano, implies that Bassanio chooses Antonio over Portia. This of course is unacceptable, as is seen in the next act where Portia severally chastises Bassanio for loving a man more than he loves her.

The rings have a further meaning though. They are given by Bassanio and Graziano as a token of respect and friendship to people they deem to be men. Thus the ultimate symbolism is that the rings are given to friends who are also their wives. This fusion of friendship and marriage is an unusual one, and serves to strengthen the relationship between the couples.

Source: http://www.gradesaver.com/merchant-of-venice/study-guide/short-summary/

Merchant of Venice: Act IV - Summary 01

Act IV, Scene One:

Antonio is brought before the Duke and the magnificoes of Venice to stand trial for failing to pay off his obligation to Shylock. The Duke is upset about the penalty, a pound of Antonio's flesh, but cannot find any lawful way of freeing Antonio from his bond. Shylock enters the court and the Duke tells him that all of the men gathered there expect him to pardon Antonio and forgive the debt.

Shylock replies that he has already sworn by his Sabbath that he will take his pound of flesh from Antonio. He is unable to provide a good reason for wanting to punish Antonio in this manner, other than to say, "So can I give no reason, nor I will not, / More than a lodged hate and a certain loathing / I bear Antonio" (4.1.58-60).

Bassanio then comes forward and offers Shylock the six thousand ducats as repayment for the loan. Shylock tells him that even if there were six times as much money offered to him, he would not take it. The Duke asks Shylock, "How shalt thou hope for mercy, rend'ring none?" (4.1.87). Shylock responds that he is doing nothing wrong, and compares his contract with Antonio to the Christian slave trade. He tells the Duke that he does not demand that the Christians should free their slaves, and therefore the Christians should not demand that he free Antonio.

The Duke threatens to dismiss the court without settling the suit brought by Shylock if Doctor Bellario fails to arrive. Salerio tells him that a messenger has just come from Bellario, and Nerissa enters dressed as a man and informs the Duke that Bellario has sent a letter to him. Shylock whets his knife on his shoe, confident that he will receive his pound of flesh.

The letter from Bellario recommends a young and educated doctor to arbitrate the case. The Duke asks where the young doctor is, and Nerissa tells him that he is waiting outside to be admitted into the court. The Duke orders him to be brought in, and Portiaenters dressed as a man, pretending to be a doctor named Balthasar.

Portia tells the Duke that she has thoroughly studied the case and then asks, "Which is the merchant here, and which the Jew?" (4.1.169). Antonio and Shylock both step forward, and Portia asks Antonio if he confesses to signing the contract. He does, and Portia then says that Shylock therefore must be merciful. She delivers a short speech on mercy, but Shylock ignores it and demands the contract be fulfilled. Portia then asks if no one has been able to repay the amount, but since Shylock has refused the money there is nothing she can do to make him take it. She comments that she must therefore side with Shylock.

Shylock, impressed that Portia is supporting his case, says, "A Daniel come to judgment, yea, a Daniel!" (4.1.218). Portia rules that Shylock has the right to claim a pound of flesh from next to Antonio's heart according to the bond. Antonio's bosom is laid bare and Shylock gets ready to cut. Portia asks him if he has a surgeon ready to stop the bleeding once he has taken his pound of flesh. Shylock says, "I cannot find it. 'Tis not in the bond" (4.1.257).

Just as Shylock is about to start cutting again, Portia says that the bond does not give him permission to shed Antonio's blood. The laws of Venice are such that if any Venetian's blood is shed, all the goods and lands of the perpetrator may be confiscated by the state. Shylock realizes that he cannot cut the flesh without drawing blood, and instead agrees to take the money instead. However, Portia is not willing to back down and instead only gives him the pound of flesh, further saying that if he takes a tiny bit more or less he will be put to death himself. Shylock, unable to comply with this stipulation, decides to withdraw his case.

Portia tells Shylock to remain in the court. She says that Venice has a further law which says that if any foreigner tries to kill a Venetian, the foreigner will have half of his property go to the Venetian against whom he plotted, and the state will receive the other half. In addition, the life of the foreigner will be in the hands of the Duke, who may decide to do whatever he wants to. Shylock is forced to kneel on the ground before the court, but the Duke pardons his life before he can beg for mercy.

Shylock instead asks the Duke to kill him, saying, "Nay, take my life and all, pardon not that. / You take my house when you do take the prop / That doth sustain my house; you take my life /When you do take the means whereby I live" (4.1.369-373). Antonio intervenes on Shylock's behalf, and asks the Duke to allow Shylock to keep half of his wealth. He further offers to take care of the half he was awarded as a form of inheritance for Jessica and Lorenzo. The only requirements Antonio puts on his offer are that Shylock must convert and become a Christian, and further that he must give everything he owns to Lorenzo upon his death.

Shylock, wretched and having lost everything he owns, tells the court that he is content to accept these conditions. The Duke leaves and tells Antonio to thank the young doctor who has saved his life. Bassanio and Graziano go to Portia and thank her profusely, and Bassanio offers the young doctor anything he wants. Portia decides to test her husband's trustworthiness, and asks him for the engagement ring, the ring which she made him vow never to part with. He refuses, and Portia and Nerissa leave. However, at Antonio's urging, Bassanio takes off the ring and gives it to Graziano, telling him to take it to Portia and invite her to dinner that night at Antonio's.

Act IV, Scene Two:

Portia gives Nerissa the deed by which Shylock will pass his inheritance to Lorenzo. She tells Nerissa to take it to Shylock's house and make him sign it. At the moment Graziano catches up with the two women and gives the ring to Portia. She is surprised that Bassanio parted with it after all, and Nerissa decides to test Graziano in the same way. Nerissa takes the deed and asks Graziano to show her the way to Shylock's house.

Source: http://www.gradesaver.com/merchant-of-venice/study-guide/short-summary/
 
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